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The ‘architecture of colour-form’: Adrian Stokes and Venice

Kite, Stephen 2004. The ‘architecture of colour-form’: Adrian Stokes and Venice. Architectural Research Quarterly 8 (2) , pp. 159-169. 10.1017/S1359135504000193

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Abstract

Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.

Item Type: Article
Date Type: Publication
Status: Published
Schools: Architecture
Subjects: B Philosophy. Psychology. Religion > BH Aesthetics
N Fine Arts > NA Architecture
Additional Information: Pdf uploaded in accordance with publisher's policy at http://www.sherpa.ac.uk/romeo/issn/1359-1355/ (accessed 21/02/2014).
Publisher: Cambridge University Press
ISSN: 1359-1355
Date of First Compliant Deposit: 30 March 2016
Last Modified: 04 Jun 2017 02:49
URI: http://orca.cf.ac.uk/id/eprint/12386

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