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Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert

Chapin, Keith 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. In: Hachie, Sophie and Favier, Thierry eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles), Paris: Classiques Garnier, pp. 165-185.

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Abstract

This article formalises a distinction between notions of development on the one side and ornament or interpretation on the other which sheds light on the strain of neoclassical poetics of the sublime inherited by Gellert. It enables us to understand why Doles and Carl Philipp Emanuel Bach could adopt such different approaches to the presentation of the sublime religious subjects of Gellert’s poetry.

Item Type: Book Section
Date Type: Publication
Status: Published
Schools: Music
Subjects: M Music and Books on Music > M Music
Language other than English: French
Publisher: Classiques Garnier
ISBN: 9782812446795
Related URLs:
Last Modified: 09 Feb 2021 14:45
URI: http://orca.cf.ac.uk/id/eprint/75615

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