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Number of items: 44.

Jones, Nicholas 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.

Jones, Nicholas 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.

Jones, Nicholas 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.

Jones, Nicholas Jones, Nicholas, ed. 2017. Peter Maxwell Davies, selected writings. Cambridge University Press.

Jones, Nicholas 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.

Jones, Nicholas and Warnaby, John 2016. Davies, Peter Maxwell. Oxford Music Online, Oxford: Oxford University Press,

Beard, David Jason, Gloag, Kenneth and Jones, Nicholas, eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies, Cambridge: Cambridge University Press.

Jones, Nicholas 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, David, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge University Press, pp. 175-205.

Jones, Nicholas 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.

Gloag, Kenneth and Jones, Nicholas, eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music, Cambridge: Cambridge University Press.

Jones, Nicholas 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. The Cambridge Companion to Michael Tippett, Cambridge: Cambridge University Press, pp. 206-228.

Jones, Nicholas 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.

Jones, Nicholas 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.

Jones, Nicholas 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92 (2) , pp. 330-332. 10.1093/ml/gcr014

Jones, Nicholas 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64 (254) , pp. 11-19. 10.1017/S0040298210000380
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Jones, Nicholas 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7 (2) , pp. 267-270. 10.1017/S1478572211000223

Jones, Nicholas and McGregor, Richard 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151 , pp. 53-86.

Jones, Nicholas 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151 (1912) , pp. 109-112.

Jones, Nicholas 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151 (1911) , pp. 118-120.

Gloag, Kenneth and Jones, Nicholas, eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies, Cambridge: Cambridge University Press.

Jones, Nicholas 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90 (3) , pp. 514-516. 10.1093/ml/gcp016

Jones, Nicholas 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. Peter Maxwell Davies Studies, Cambridge: Cambridge University Press, pp. 21-44.

Jones, Nicholas 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 231-241.

Jones, Nicholas 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150 (1906) , pp. 100-103.

Jones, Nicholas 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. [Teaching Resource]

Jones, Nicholas 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. [Teaching Resource]

Jones, Nicholas 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. [Teaching Resource]

Jones, Nicholas 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148 (1901) , pp. 111-114. 10.2307/25434506

Jones, Nicholas 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148 (1899) , pp. 81-88. 10.2307/25434460

Jones, Nicholas 2006. "Disparagement and Invidious Comparisons": assessing critical reactions to Mathias's First Symphony. Tempo 60 (238) , pp. 8-14. 10.1017/S0040298206000283
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Jones, Nicholas 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.

Jones, Nicholas 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146 , pp. 71-81. 10.2307/30044107

Jones, Nicholas 2004. Ranging over the forest: a conversation with Anthony Powers. Tempo 58 (228) , pp. 23-31. 10.1017/S0040298204000117
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Jones, Nicholas 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.

Jones, Nicholas 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144 (1884) , pp. 26-35. 10.2307/3650698

Jones, Nicholas 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143 (1878) , pp. 37-45. 10.2307/1004421

Jones, Nicholas 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83 (1) , pp. 147-151. 10.1093/ml/83.1.147

Jones, Nicholas 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143 (1879) , pp. 78-79. 10.2307/1004607

Jones, Nicholas 2000. Peter Maxwell Davies's 'submerged cathedral': architectural principles in the Third Symphony. Music & Letters 81 (3) , pp. 402-432. 10.1093/ml/81.3.402

Jones, Nicholas 2000. Towards the Symphonic odyssey: Maxwell Davies's Works for Orchestra 1958-73. [Online]. Maxopus.com. Available at: http://www.maxopus.com/resources_detail.aspx?key=6...

Jones, Nicholas 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.

Jones, Nicholas 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141 (1872) , pp. 24-32. 10.2307/1004395

Jones, Nicholas 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204 , pp. 14-22.

Jones, Nicholas Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.

This list was generated on Wed Oct 16 08:50:00 2019 BST.