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Number of items: 16.

Cobb, Shelley and Hamad, Hannah 2018. “That, My Friend, Is What They Call… Closure”: The one with the Friends finale. In: Howard, Douglas and Bianculli, David eds. Finale: Considering the Ends of Television Series: From Howdy Doody to Girls, Syracuse, New York: Syracuse University Press,

Hamad, Hannah 2018. The one with the feminist critique: revisiting millennial postfeminism with Friends. Television and New Media 19 (8) , pp. 692-707. 10.1177/1527476418779624
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Cobb, Shelley, Ewen, Neil and Hamad, Hannah 2018. Friends reconsidered: Cultural politics, intergenerationality, and afterlives. Television and New Media 19 (8) , p. 683. 10.1177/1527476418778426
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Hamad, Hannah 2018. Celebrity in the contemporary era. In: Elliott, Anthony ed. Routledge Handbook of Celebrity Studies, Routledge International Handbooks, New York and London: Routledge, pp. 44-57.
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Hamad, Hannah 2016. Contemporary medical television and crisis in the NHS. Critical Studies in Television 11 (2) , pp. 136-150. 10.1177/1749602016645778
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Hamad, Hannah 2015. Eddie Murphy’s baby mama drama and Smith family values: the (post-) racial familial politics of Hollywood celebrity couples. In: Cobb, Shelley and Ewen, Neil eds. First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics, London and New York: Bloomsbury, pp. 116-132.
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Hamad, Hannah 2015. “I’m Not Past My Sell By Date Yet!”: Sarah Jane’s adventures in postfeminist rejuvenation and the later life celebrity of Elisabeth Sladen. In: Jermyn, Deborah and Holmes, Susan eds. Women, Celebrity and Cultures of Ageing: Freeze Frame, Basingstoke and New York: Palgrave Macmillan, pp. 162-177.
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Hamad, Hannah 2014. Paternalising the rejuvenation of later life masculinity in twenty-first century film. In: Whelehan, Imelda and Gwynne, Joel eds. Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones, Palgrave Macmillan, pp. 105-119.

Hamad, Hannah 2014. “Don’t let him take Britain back to the 1980s”: Ashes to Ashes as postfeminist recession television. Continuum , pp. 201-212. 10.1080/10304312.2014.888041
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Hamad, Hannah 2014. Fairy jobmother to the rescue: Postfeminism and the recessionary cultures of reality TV. In: Negra, Diane and Tasker, Yvonne eds. Gendering the Recession: Media and Culture in an Age of Austerity, Durham and London: Duke University Press, pp. 223-245.
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Hamad, Hannah 2013. Postfeminism and paternity in contemporary US film: Framing fatherhood. Advances in Film Studies, New York and London: Routledge.

Hamad, Hannah 2013. Hollywood fatherhood: paternal Postfeminism in contemporary popular cinema. In: Gwynne, Joel and Muller, Nadine eds. Postfeminism and Contemporary Hollywood Cinema, Basingstoke and New York: Palgrave Macmillan, pp. 99-115.
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Hamad, Hannah 2011. Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005). In: Radner, Hilary and Stringer, Rebecca eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema, London and New York: Routledge, pp. 241-254.
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Godfrey, Sarah and Hamad, Hannah 2011. Save the cheerleader, save the males: Resurgent protective paternalism in popular film and television after 9/11. In: Ross, Karen ed. The Handbook of Gender, Sex and Media, Oxford: John Wiley & Sons, pp. 157-173.
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Hamad, Hannah 2011. Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. In: Griffin, Sean ed. What Dreams Were Made Of: Movie Stars of the 1940s, Star Decades: American Culture/American Cinema, New Brunswick, New Jersey: Rutgers University Press, pp. 142-165.
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Hamad, Hannah 2010. ‘Hollywood’s hot dads’: tabloid, reality and scandal discourses of celebrity postfeminist fatherhood. Celebrity Studies 1 (2) , pp. 151-169. 10.1080/19392397.2010.482270
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This list was generated on Sun Mar 24 09:12:20 2019 GMT.