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Number of items: 89.

Heilmann, Ann 2018. Neo-/Victorian biographilia and James Miranda Barry: a study in transgender and transgenre. Basingstoke: Palgrave Macmillan.

Heilmann, Ann 2016. Routledge Historical Resources: History of Feminism. London, Routledge.

Heilmann, Ann and Llewellyn, Mark 2016. The Victorians, sex and gender. In: John, Juliet ed. The Oxford Handbook of Victorian Literary Culture, Oxford: Oxford University Press, pp. 161-177.

Heilmann, Ann and Llewellyn, Mark 2015. To a lesser extent: Neo-Victorian masculinities [Guest-edited special issue]. Victoriographies 52 (2) , pp. 97-104. 10.3366/vic.2015.0187

Heilmann, Ann and Llewellyn, Mark 2015. Introduction: To a lesser extent? Neo-Victorian masculinities. Victoriographies 5 (2) , pp. 97-104. 2044-2416

Heilmann, Ann and Llewellyn, Mark 2014. Gender and sexuality. In: Saler, Michael ed. The Fin-de-Siecle World, Routledge Worlds, London: Routledge, pp. 503-517.

Heilmann, Ann 2014. George Moore and Pearl Craigie's 'The Fool's Hour' [edited manuscript]. In: Heilmann, Ann and Llewellyn, Mark eds. George Moore: Influence and Collaboration, University of Delaware Press, Rowman and Littlefield, pp. 219-271.

Heilmann, Ann and De Pablos, Maria Elena Jaime 2014. 'A Drama in Muslin'; portrait of the artist as a young (new) woman. In: Heilmann, Ann and Llewellyn, Mark eds. George Moore: Influence and Collaboration, University of Delaware Press, Rowman and Littlefield, pp. 99-121.

Heilmann, Ann 2014. Co-authorship, desire and conflict. In: Heilmann, Ann and Llewellyn, Mark eds. George Moore: Influence and Collaboration, University of Delaware Press, Rowman and Littlefield, pp. 203-217.

Heilmann, Ann and Llewellyn, Mark 2014. Introduction. In: Heilmann, Ann and Llewellyn, Mark eds. George Moore: Influence and Collaboration, University of Delaware Press, Rowman and Littlefield, pp. 1-23.

Heilmann, Ann and Llewellyn, Mark, eds. 2014. George Moore: influence and collaboration. University of Delaware Press, Rowman and Littlefield.

Heilmann, Ann 2014. Neo-Victorian Darwin: representations of the nineteenth-century scientist, naturalist and explorer in twenty-first century women's writing. In: Voigts, Eckart, Schaff, Barbara and Pietrzak-Franger, Monika eds. Reflecting on Darwin, Aldershot: Ashgate, pp. 91-112.

Llewellyn, Mark and Heilmann, Ann 2014. Neo-Victorianism. In: Tucker, Herbert F. ed. A New Companion to Victorian Literature and Culture, Oxford and New York: Wiley-Blackwell, pp. 493-506.

Heilmann, Ann and Llewellyn, Mark 2014. On the Neo-Victorians: now and then. In: Tucker, Herbert F. ed. A New Companion to Victorian Literature and Culture, Blackwell Companions to Literature and Culture, Oxford: Blackwell, pp. 493-506.

Llewellyn, Mark and Heilmann, Ann 2014. From Wagnerian Künstlerroman to Freudian family romance: The quest for female selfhood in George Moore's Evelyn Innes (1896) and Sister Teresa (1901). In: Huguet, Christine and Dabrigeon-Garcier, Fabienne eds. George Moore Across Borders, Amsterdam: Rodopi, pp. 139-159.

Llewellyn, Mark and Heilmann, Ann 2014. George Moore at the Fin de Siècle. In: Llewellyn, Mark and Heilmann, Ann eds. George Moore and Contemporaries, Delaware: University of Delaware Press,

Llewellyn, Mark 2014. Journey's End in Lovers Meeting: a new text. In: Llewellyn, Mark and Heilmann, Ann eds. George Moore and Contemporaries, Delaware: University of Delaware Press,

Heilmann, Ann 2013. Marriage. In: Mallett, Phillip ed. Thomas Hardy in Context, Cambridge: Cambridge University Press, pp. 351-362.

Heilmann, Ann and Llewellyn, Mark 2013. The Victorians now: Global reflections on neo-Victorianism. Critical Quarterly 55 (1) , pp. 24-42. 10.1111/criq.12035

Heilmann, Ann and Llewellyn, Mark 2013. The quest for female selfhood in Evelyn Innes and Sister Teresa: From Wagnerian Kunstlerroman to Freudian family romance. In: Huguet, Christine and Dabrigeon-Garcier, Fabienne eds. George Moore: Across Borders, DQR Studies in Literature, vol. 51. Amsterdam: Rodopi, pp. 139-159.

Heilmann, Ann 2012. Specters of the Victorian in the neo-forties novel: Sarah Waters's 'The Little Stranger' (2009) and its intertexts. Contemporary Women's Writing 6 (1) , pp. 38-55. 10.1093/cww/vpr003

Heilmann, Ann 2012. The sublime and satanic North: The potteries in George Moore's "A Mummer's Wife" (1885) and Arnold Bennett's "Anna of the Five Towns" (1902)'. In: Cockin, Katharine ed. The Literary North, Basingstoke: Palgrave Macmillan, pp. 56-72.

Heilmann, Ann 2011. Essentialism and gender: Feminist debates in the twenty-first century. Critical Quarterly 53 (4) , pp. 78-89. 10.1111/j.1467-8705.2011.02023.x

Heilmann, Ann 2011. Sex, religion, and the New Woman in China: A comparative reading of Sarah Grand and Alicia Little. Victorian Review 37 (2) , pp. 61-74.

Heilmann, Ann 2011. Deferred desire and textual consummation in George Moore's 'Memoirs of My Dead Life': Beyond the pleasure principle? English Literature in Transition, 1880-1920 54 (3) , pp. 337-361. 10.1353/elt.2011.0039

Heilmann, Ann 2010. Famine, femininity, family: Rememory and reconciliation in Nuala O'Faolain's "My Dream of You". In: Kohlke, Marie-Luise and Gutleben, Christian eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-Witness to Nineteenth-Century Suffering, Amsterdam: Rodopi, pp. 285-310.

Heilmann, Ann and Llewellyn, Mark 2010. Neo-Victorianism: The Victorians in the Twenty-First Century, 1999-2009. Basingstoke: Palgrave Macmillan.

Heilmann, Ann 2010. The haunting of Henry James. In: Pulham, Patricia and Arias, Rosario eds. Haunting and Spectrality in Neo-Victorian Fiction, Basingstoke: Palgrave Macmillan, pp. 111-130.

Heilmann, Ann 2009. Doing it with mirrors: Neo-Victorian metatextual magic in "Affinity", "The Prestige", and "The Illustionist"? Neo-Victorian Studies 2 (2) , pp. 18-42.

Heilmann, Ann 2008. 'The Awakening' and New Woman fiction. In: Beer, Janet ed. The Cambridge Companion to Kate Chopin, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 87-104.

Heilmann, Ann and Llewellyn, Mark 2008. Hystorical fictions: women (re)writing and (re)reading history [Guest-edited special issue]. Women: A Cultural Review 15 (2) , pp. 137-152. 10.1080/0957404042000234006

Heilmann, Ann and Llewellyn, Mark, eds. 2007. Metafiction and metahistory in contemporary women's writing. Literature & Performing Arts Collection 2007, Basingstoke: Palgrave Macmillan. 10.1057/9780230206281

Llewellyn, Mark and Heilmann, Ann 2007. Introduction: a past of her own: history and the modernist woman writer [Guest-edited special issue]. Critical Survey -Oxford- 19 (1) , pp. 1-4. 10.3167/cs.2007.190101

Heilmann, Ann and Llewellyn, Mark 2007. Editorial: political hystories [Guest-edited special issue]. Feminist Review 85 , pp. 1-7. 10.1057/palgrave.fr.9400315

Heilmann, Ann and Llewellyn, Mark 2007. The collected short stories of George Moore: gender and genre, volume 1-5. Pickering and Chatto.

Heilmann, Ann 2007. Medusa's blinding art: mesmerism and female artistic agency in Louisa May Alcott's "A pair of eyes". In: Frank, Lucy ed. Representations of death in nineteenth-century US writing and culture, Warwick studies in the humanities, Aldershot: Ashgate, pp. 205-216.

Llewellyn, Mark and Heilmann, Ann 2007. George Moore and literary censorship: the textual and sexual history of "John Norton" and "Hugh Monfert". English Literature in Transition 50 (4) , pp. 371-392. 10.2487/elt.50.4(2007)0006

Heilmann, Ann and Llewellyn, Mark 2007. General introduction. In: Moore, George, Heilmann, Ann, Llewellyn, Mark and Wood Frazier, Adrian eds. The collected short stories of George Moore: gender and genre, volume 1-5, Pickering masters, London: Pickering and Chatto,

Heilmann, Ann and Llewellyn, Mark 2007. Introduction. In: Heilmann, Ann and Llewellyn, Mark eds. Metafiction and metahistory in contemporary women’s writing, Literature & performing arts collection 2007, Basingstoke: Palgrave Macmillan, pp. 1-12. (10.1057/9780230206281)

Llewellyn, Mark 2007. Breaking the mould: Sarah Waters and the politics of genre. In: Llewellyn, Mark and Heilmann, Ann eds. Metafiction and Metahistory in Contemporary Women?s Writing, Basingstoke: Palgrave, pp. 195-210.

Heilmann, Ann and Sanders, Valerie 2006. The rebel, the lady and the 'anti': femininity, anti-feminism, and the Victorian woman writer. Women's Studies International Forum 29 (3) , pp. 289-300. 10.1016/j.wsif.2006.04.008

Heilmann, Ann 2006. Hysteria, melancholia, and the artist manqué in "Vain Fortune". In: Pierse, Mary ed. George Moore: Artistic Visions and Literary Worlds, Newcastle: Cambridge Scholars Press, pp. 24-38.

Delap, Lucy and Heilmann, Ann, eds. 2006. Anti-feminism in Edwardian literature, volume 1-6. Victorian and Edwardian anti-feminism, Bristol: Thoemmes.

Heilmann, Ann and Delap, Lucy 2006. Introduction. In: Delap, Lucy and Heilmann, Ann eds. Anti-feminism in Edwardian Literature, volume 1-6, Victorian and Edwardian anti-feminism, Bristol: Thoemmes,

Heilmann, Ann 2005. The myth of Medea and the feminist imagination in Victorian and Edwardian Britain. In: Procházka, Martin and Pliný, Ondrej eds. Time Refigured: Myths, Foundation Texts and Imagined Communities, Prague: Litteraria Pragensia, pp. 238-255.

Heilmann, Ann 2005. First-wave feminist engagements with history: introduction [Guest-edited special issue]. Victorian Review 31 (1) , pp. 1-4.

Heilmann, Ann 2005. Medea at the fin de siècle: revisionist uses of classical myth in Mona Caird's "The daughters of Danaus". Victorian Review 31 (1) , pp. 21-39.

Llewellyn, Mark and Heilmann, Ann 2005. Women writing history [Guest-edited special issue]. Women’s Writing 12 (1) , pp. 3-11. 10.1080/09699080500200245

Heilmann, Ann and Llewellyn, Mark 2004. What Kitty knew: George Moore's John Norton, multiple personality, and the psychopathology of late-Victorian sex crime. Nineteenth-Century Literature 59 (3) , pp. 372-403. 10.1525/ncl.2004.59.3.372

Heilmann, Ann 2004. New woman strategies: Sarah Grand, Olive Schreiner, Mona Caird. Manchester: Manchester University Press.

Beetham, Margaret and Heilmann, Ann, eds. 2004. New woman hybridities: femininity, feminism, and international consumer culture, 1880-1930. Routledge Transnational Perspectives on American Literature, London: Routledge.

Heilmann, Ann, ed. 2004. Anti-feminism in the Victorian novel, volume 1-6. Victorian and Edwardian anti-feminism, Bristol: Thoemmes.

Heilmann, Ann and Beetham, Margaret 2004. Introduction. In: Beetham, Margaret and Heilmann, Ann eds. New Woman Hybridities: Femininity, Feminism and International Consumer Culture, 1880-1930, Routledge Transatlantic Perspectives on American Literature, London: Routledge, pp. 1-14.

Heilmann, Ann 2004. Introduction. In: Heilmann, Ann ed. Anti-Feminism in the Victorian Novel, Volume 1, Victorian and Edwardian Anti-Feminism, Bristol: Thoemmes,

Heilmann, Ann 2004. Visionary desires: theosophy, auto-eroticism, and the seventh-wave artist in Sarah Grand's "The Beth book". Nineteenth-Century Contexts 26 (1) , pp. 29-46. 10.1080/08905490410001683282

Heilmann, Ann 2003. Revolting men? Sexual fears and fantasies in writings by old men, 1880-1910. Critical Survey -Oxford- 15 (3) , pp. 56-73. 10.3167/001115703782153475

Heilmann, Ann, ed. 2003. Feminist forerunners: new womanism and feminism in the early twentieth century. London: Pandora.

Heilmann, Ann 2003. Introduction. In: Heilmann, Ann ed. Feminist Forerunners: New Womanism and Feminism in the Early Twentieth Century, London: Pandora, pp. 1-14.

Heilmann, Ann 2003. Emma Bovary's sisters: infectious desire and female reading appetites in Mary Braddon and George Moore. Victorian Review 29 (1) , pp. 31-48.

Heilmann, Ann 2003. 'Neither man nor woman'? Female transvestism, object relations and mourning in George Moore's 'Albert Nobbs'. Women: A Cultural Review 14 (3) , pp. 248-263. 10.1080/0957404032000140371

Heilmann, Ann 2003. Consuming appetites: pleasure and desire in Sarah Grand’s Babs the Impossible and Singularly Deluded. Rivista di Studi Vittoriani 15 , pp. 23-41.

Beer, Janet and Heilmann, Ann 2002. "If I were a man": Charlotte Perkins Gilman, Sarah Grand and the education of girls. In: Beer, Janet and Bennett, Bridget eds. Special Relationships: Anglo-American Antagonisms and Affinities 1854-1936, Manchester: Manchester University Press, pp. 178-201.

Heilmann, Ann 2002. The Devil herself? Fantasy, female identity, and the villainess fatale in "The Robber Bride". In: Gillis, Stacy and Gates, Philippa eds. The Devil Himself: Villainy in Detective Fiction and Film, Contributions to the Study of Popular Culture, vol. 73. Westport: Greenwood Press, 171 -182.

Heilmann, Ann 2002. Wilde's new women: the new woman on Wilde. In: Böker, Uwe, Corballis, Richard and Hibbard, Julie eds. The Importance of Reinventing Oscar: Versions of Wilde during the Last 100 Years, Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, vol. 61. Amsterdam: Rodopi, pp. 135-145.

Heilmann, Ann 2002. Words as deeds: debates and narratives on women's suffrage [Guest-edited special issue]. Women's History Review 11 (4) , pp. 565-576. 10.1080/09612020200200337

Heilmann, Ann 2001. Introduction to 'Masculinities, maternities, motherlands: defining/contesting New Woman identities' [Guest-edited special issue]. Nineteenth-Century Feminisms 4 , pp. 7-15.

Heilmann, Ann 2000. Narrating the hysteric: fin-de-siècle medical discourse and Sarah Grand's "The heavenly twins". In: Richardson, Angelique and Willis, Chris eds. The New Woman in Fiction and Fact: Fin-de-siècle Feminisms, Basingstoke: Palgrave, pp. 123-135.

Heilmann, Ann and Forward, Stephanie, eds. 2000. Sex, social purity and Sarah Grand. History of Feminism Series, London: Routledge.

Heilmann, Ann 2000. Introduction. In: Heilmann, Ann ed. Sex, Social Purity and Sarah Grand, Vol. 3. History of Feminism, London: Routledge, pp. 1-4.

Heilmann, Ann 2000. Introduction. In: Heilmann, Ann ed. Sex, Social Purity and Sarah Grand, Vol. 4. History of Feminism, London: Routledge, pp. 1-4.

Heilmann, Ann and Forward, Stephanie 2000. Introduction. In: Forward, Stephanie ed. Sex, Social Purity and Sarah Grand, Vol. 2. History of Feminism, London: Routledge, pp. 1-12.

Heilmann, Ann 2000. General introduction. In: Heilmann, Ann ed. Sex, Social Purity and Sarah Grand, Vol. 1. History of Feminism, London: Routledge, pp. 1-15.

Heilmann, Ann 2000. New Woman fiction: women writing first-wave feminism. Basingstoke: Palgrave Macmillan.

Heilmann, Ann 2000. Overwriting decadence: Charlotte Perkins Gilman, Oscar Wilde and the feminisation of art in "The yellow wall-paper". In: Golden, Catherine J. and Zangrando, Joanna S. eds. The mixed legacy of Charlotte Perkins Gilman, Newark: University of Delaware Press, pp. 175-188.

Heilmann, Ann 2000. (Un)masking desire: cross-dressing and the crisis of gender in new woman fiction. Journal of Victorian Culture 5 (1) , pp. 83-111. 10.3366/jvc.2000.5.1.83

Heilmann, Ann 1999. Dreams in black and white: women, race and self-sacrifice in Olive Schreiner's allegorical writings. In: Gilkes, Madie, Brown, Heloise and Kaloski-Naylor, Ann eds. White?Women: Critical Perspectives on Race and Gender, York: Raw Nerve Books, pp. 181-199.

Heilmann, Ann 1999. Mrs Grundy's rebellion: Margaret Oliphant between orthodoxy and the new woman. Women’s Writing 6 (2) , pp. 215-237. 10.1080/09699089900200064

Heilmann, Ann 1998. Introduction. In: Heilmann, Ann ed. The Late-Victorian Marriage Question: A Collection of Key New Woman Texts., Vol. 2. London: Routledge, xi-xviii.

Heilmann, Ann 1998. Introduction. In: Heilmann, Ann ed. The Late-Victorian Marriage Question: A Collection of Key New Woman Texts., Vol. 3. London: Routledge, ix-xx.

Heilmann, Ann 1998. Introduction. In: Heilmann, Ann ed. The Late-Victorian Marriage Question: A Collection of Key New Woman Texts., Vol. 4. London: Routledge, ix-xxi.

Heilmann, Ann 1998. Introduction. In: Heilmann, Ann ed. The Late-Victorian Marriage Question: A Collection of Key New Woman Texts., Vol. 5. London: Routledge, xi-xix.

Heilmann, Ann 1998. General introduction. In: Heilmann, Ann ed. The Late-Victorian Marriage Question: A Collection of Key New Woman Texts., London: Routledge, ix-xxx1.

Heilmann, Ann, ed. 1998. The late-Victorian marriage question: a collection of key new woman texts. History of Feminism, London: Routledge.

Heilmann, Ann and Sharp, Ingrid 1997. Making a space for women: student conferences as an example of feminist staff-student interaction in the university. Women's Studies International Forum 20 (2) , pp. 301-320.

Heilmann, Ann 1996. Mona Caird (1854-1932): wild woman, new woman, and early radical feminist critic of marriage and motherhood. Women’s History Review 5 (1) , pp. 67-95. 10.1080/09612029600200100

Heilmann, Ann 1996. The "new woman" fiction and fin-de-Sièck feminism. Women’s Writing 3 (3) , pp. 197-216. 10.1080/0969908960030302

Heilmann, Ann 1995. 'Over that bridge built with our bodies the entire human race will pass': a rereading of Olive Schreiner's 'From man to man' (1926). European Journal of Women’s Studies 2 (1) , pp. 33-50. 10.1177/135050689500200104

Heilmann, Ann 1995. Feminist resistance, the artist and "A room of one’s own". Women’s Writing 2 (3) , pp. 291-308. 10.1080/0969908950020306

Heilmann, Ann 1994. Masquerade, sisterhood and the dilemma of the feminist as artist and woman in late nineteenth-century British women’s writing. Journal of Gender Studies 3 (2) , pp. 155-163. 10.1080/09589236.1994.9960563

This list was generated on Sun Apr 21 09:38:14 2019 BST.