ORCA
Online Research @ Cardiff

Clear Cookie - decide language by browser settings

Browse by Current Cardiff authors

Number of items: 31.

Morra, Irene 2021. Opera libretti in translation. In: Venuti, Lawrence ed. Oxford History of Literary Translation in English Vol. 5, Oxford: Oxford University Press,

Morra, Irene 2020. Battering rams at the Bastille: Rewriting "the Drama of the New" in Gordon Bottomley's Gruach. Modern Drama 63 (1) 10.3138/md.1068r

Morra, Irene 2016. Gloriana and the new Elizabethan Age. In: Begam, Richard and Smith, Matthew Wilson eds. Modernism and Opera, Hopkins Studies in Modernism, Baltimore, MD: Johns Hopkins University Press, pp. 290-314.

Morra, Irene and Gossedge, Rob, eds. 2016. The New Elizabethan Age: culture, society and national identity after WWII. London: I.B. Tauris.

Morra, Irene 2016. Verse drama in England, 1900-2015: Art, modernity, and the National Stage. Critical Companions, London and New York: Bloomsbury Methuen.

Morra, Irene 2016. New Elizabethanism: origins and legacies. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 17-48.

Morra, Irene 2016. History play: people, pageant, and the New Shakespearean Age. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 308-336.

Morra, Irene and Gossedge, Robert Anthony 2016. Introduction. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 1-13.

Morra, Irene 2015. The spectre on the stair: intertextual chains in 'Great Expectations' and 'The Adventures of Huckleberry Finn'. Literary Imagination 17 (1) , pp. 71-94. 10.1093/litimag/imv002

Morra, Irene 2014. Maenads and Metatheatre: Tennessee Williams's Suddenly Last Summer as Euripidean myth. The Tennessee Williams Annual Review 14 , pp. 1-25.

Morra, Irene 2014. Britishness, popular music, and national identity: The making of modern Britain. Routledge Studies in Popular Music, Abingdon: Routledge.

Morra, Irene 2013. The habit of art: in the beginning was the word. Modern Drama 56 (3) , pp. 352-373.

Morra, Irene 2010. Outstaring the Sun: Contemporary Opera and the Literary Librettist. Contemporary Music Review 29 (2) , pp. 121-135. 10.1080/07494467.2010.534917

Morra, Irene 2009. Constructing Camelot: Britain and the New World Musical. Contemporary Theatre Review 19 (1) , 22 -34. 10.1080/10486800802661665

Morra, Irene 2007. Twentieth-century British authors and the rise of opera in Britain. Aldershot: Ashgate.

Morra, Irene 2007. Wilkie Collins, George Eliot, and Italian opera. Essays in Criticism 57 (3) , pp. 217-236. 10.1093/escrit/cgm009

Morra, Irene 2007. Drama in England, 1940-2002. In: Cody, Gabrielle H. and Sprinchorn, Everett eds. The Columbia Encyclopedia of Modern Drama, New York: Columbia University Press, pp. 409-410.

Morra, Irene and Sprinchorn, Evert 2007. Ronald Duncan. In: Cody, Gabrielle H. ed. The Columbia Encyclopedia of Modern Drama, Vol. 1. Columbia University Press, pp. 377-378.

Morra, Irene 2005. Performing the Edwardian ideal: David Mamet and "The Winslow Boy". Modern Drama 48 (4) , pp. 744-757. 10.1353/mdr.2006.0034

Morra, Irene 2004. "Singing like a musical box": musical detection and novelistic tradition. In: Losseff, Nicky and Fuller, Sophie eds. The Idea of Music in Victorian Fiction, Music in Nineteenth-Century Britain, Farnham: Ashgate, pp. 151-170.

Morra, Irene 2003. The Importance of Being Earnest [Film Review]. Scope: An Online Refereed Journal of Film Studies 2003 (May) , pp. 35-37.

Morra, Irene 2002. A song not without words: singing "Billy Budd". In: Meyer, Michael J. ed. Literature and Musical Adaptation, Amsterdam: Rodopi, pp. 7-27.

Morra, Irene 2001. Mansfield Park [Film Review]. Scope: An Online Refereed Journal of Film Studies 2001 (August)

Morra, Irene 2001. Muriel Spark. In: Reichhardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 357-361.

Morra, Irene 2001. Dorothy L. Sayers. In: Reichardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood Press, pp. 338-343.

Morra, Irene 2001. Elizabeth Cary. In: Reichardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 24-28.

Morra, Irene 2001. Musical biography. In: Jolly, Margaretta ed. Encyclopedia of Life Writing: Autobiographical and Biographical Forms, Fitzroy Dearborn, p. 362.

Morra, Irene 2001. Georg Philip Telemann. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene 2001. Ludwig van Beethoven. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene 2001. Domenico Scarlatti. 18th Century Online Encyclopedia: Enlightenment and Revolution

Morra, Irene 2001. Composers of the Nazi era: eight portraits by Michael H. Kater [Book Review]. University of Toronto Quarterly 71 (1) , pp. 330-332.

This list was generated on Tue Mar 2 04:26:52 2021 GMT.

Export as	Atom RSS 1.0 RSS 2.0