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Online Research @ CardiffÂ
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Number of items: 31.
| Morra, Irene 2021. Opera libretti in translation. In: Venuti, Lawrence ed. Oxford History of Literary Translation in English Vol. 5, Oxford: Oxford University Press, |
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Morra, Irene
2020.
Battering rams at the Bastille: Rewriting "the Drama of the New" in Gordon Bottomley's Gruach.
Modern Drama
63
(1)
10.3138/md.1068r
Item availability restricted. |
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| Morra, Irene 2016. Gloriana and the new Elizabethan Age. In: Begam, Richard and Smith, Matthew Wilson eds. Modernism and Opera, Hopkins Studies in Modernism, Baltimore, MD: Johns Hopkins University Press, pp. 290-314. |
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| Morra, Irene 2016. Verse drama in England, 1900-2015: Art, modernity, and the National Stage. Critical Companions, London and New York: Bloomsbury Methuen. |
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| Morra, Irene and Gossedge, Rob, eds. 2016. The New Elizabethan Age: culture, society and national identity after WWII. London: I.B. Tauris. |
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| Morra, Irene 2016. New Elizabethanism: origins and legacies. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 17-48. |
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| Morra, Irene 2016. History play: people, pageant, and the New Shakespearean Age. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 308-336. |
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| Morra, Irene and Gossedge, Robert Anthony 2016. Introduction. In: Morra, Irene and Gossedge, Robert Anthony eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, I.B. Tauris, pp. 1-13. |
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Morra, Irene
2015.
The spectre on the stair: intertextual chains in 'Great Expectations' and 'The Adventures of Huckleberry Finn'.
Literary Imagination
17
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, pp. 71-94.
10.1093/litimag/imv002
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| Morra, Irene 2014. Maenads and Metatheatre: Tennessee Williams's Suddenly Last Summer as Euripidean myth. The Tennessee Williams Annual Review 14 , pp. 1-25. |
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| Morra, Irene 2014. Britishness, popular music, and national identity: The making of modern Britain. Routledge Studies in Popular Music, Abingdon: Routledge. |
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| Morra, Irene 2013. The habit of art: in the beginning was the word. Modern Drama 56 (3) , pp. 352-373. |
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| Morra, Irene 2010. Outstaring the Sun: Contemporary Opera and the Literary Librettist. Contemporary Music Review 29 (2) , pp. 121-135. 10.1080/07494467.2010.534917 |
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| Morra, Irene 2009. Constructing Camelot: Britain and the New World Musical. Contemporary Theatre Review 19 (1) , 22 -34. 10.1080/10486800802661665 |
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| Morra, Irene 2007. Twentieth-century British authors and the rise of opera in Britain. Aldershot: Ashgate. |
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| Morra, Irene 2007. Wilkie Collins, George Eliot, and Italian opera. Essays in Criticism 57 (3) , pp. 217-236. 10.1093/escrit/cgm009 |
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| Morra, Irene 2007. Drama in England, 1940-2002. In: Cody, Gabrielle H. and Sprinchorn, Everett eds. The Columbia Encyclopedia of Modern Drama, New York: Columbia University Press, pp. 409-410. |
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| Morra, Irene and Sprinchorn, Evert 2007. Ronald Duncan. In: Cody, Gabrielle H. ed. The Columbia Encyclopedia of Modern Drama, Vol. 1. Columbia University Press, pp. 377-378. |
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| Morra, Irene 2005. Performing the Edwardian ideal: David Mamet and "The Winslow Boy". Modern Drama 48 (4) , pp. 744-757. 10.1353/mdr.2006.0034 |
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| Morra, Irene 2004. "Singing like a musical box": musical detection and novelistic tradition. In: Losseff, Nicky and Fuller, Sophie eds. The Idea of Music in Victorian Fiction, Music in Nineteenth-Century Britain, Farnham: Ashgate, pp. 151-170. |
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| Morra, Irene 2003. The Importance of Being Earnest [Film Review]. Scope: An Online Refereed Journal of Film Studies 2003 (May) , pp. 35-37. |
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| Morra, Irene 2002. A song not without words: singing "Billy Budd". In: Meyer, Michael J. ed. Literature and Musical Adaptation, Amsterdam: Rodopi, pp. 7-27. |
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| Morra, Irene 2001. Mansfield Park [Film Review]. Scope: An Online Refereed Journal of Film Studies 2001 (August) |
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| Morra, Irene 2001. Muriel Spark. In: Reichhardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 357-361. |
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| Morra, Irene 2001. Dorothy L. Sayers. In: Reichardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood Press, pp. 338-343. |
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| Morra, Irene 2001. Elizabeth Cary. In: Reichardt, Mary ed. Catholic Women Writers: A Bio-Bibliographical Sourcebook, Greenwood, pp. 24-28. |
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| Morra, Irene 2001. Musical biography. In: Jolly, Margaretta ed. Encyclopedia of Life Writing: Autobiographical and Biographical Forms, Fitzroy Dearborn, p. 362. |
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| Morra, Irene 2001. Georg Philip Telemann. 18th Century Online Encyclopedia: Enlightenment and Revolution |
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| Morra, Irene 2001. Ludwig van Beethoven. 18th Century Online Encyclopedia: Enlightenment and Revolution |
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| Morra, Irene 2001. Domenico Scarlatti. 18th Century Online Encyclopedia: Enlightenment and Revolution |
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| Morra, Irene 2001. Composers of the Nazi era: eight portraits by Michael H. Kater [Book Review]. University of Toronto Quarterly 71 (1) , pp. 330-332. |
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