Browse by Current Cardiff authors

Hill, Sarah 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1) , pp. 165-168. 10.1017/S147857221900015X

Hill, Sarah 2018. Bara Menyn, Y. In: Thomas, Wyn and Ap Sion, Pwyll eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 45-46.

Hill, Sarah 2018. Bois y Blacbord. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 54.

Hill, Sarah 2018. Bois y Frenni. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 54-55.

Hill, Sarah and Gower, Jon 2018. Max Boyce. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 56.

Hill, Sarah 2018. Catatonia. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 74-75.

Hill, Sarah 2018. Datblygu. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 131.

Hill, Sarah and Gower, Jon 2018. Davies, Ryan. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 141-142.

Hill, Sarah 2018. Ffa Coffi Pawb. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 179-180.

Hill, Sarah 2018. Gorky's Zygotic Mynci. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 194-195.

Hill, Sarah and Ap Siôn, Pwyll 2018. Hergest. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 234-235.

Hill, Sarah 2018. Hogia Llandegai. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 237-238.

Hill, Sarah 2018. Hogia'r Gogledd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 238.

Hill, Sarah 2018. Hogia'r Wyddfa. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 238-239.

Hill, Sarah 2018. Hopkin, Mary. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 239-240.

Hill, Sarah and Ap Siôn, Pwyll 2018. Iwan, Dafydd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 251-253.

Hill, Sarah 2018. James, Richard. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 255-256.

Hill, Sarah and Ap Siôn, Pwyll 2018. Jarman, Geraint. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 257-259.

Hill, Sarah and Ap Siôn, Pwyll 2018. Jess. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 271-272.

Hill, Sarah and Ap Glyn, Sion 2018. Jones, Heather. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 281-282.

Hill, Sarah 2018. Jones, Tom. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 288-289.

Hill, Sarah 2018. Le Bon, Cate. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 294-295.

Hill, Sarah 2018. Pelydrau, Y. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 343.

Hill, Sarah and Herbert, Trevor 2018. Poblogaidd, Cerddoriaeth. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 348-352.

Hill, Sarah 2018. Pope, Mal. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 352-353.

Hill, Sarah 2018. Roberts, Robert (Bob Tai'r Felin). In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 369.

Hill, Sarah 2018. Rhys, Gruff. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 378-379.

Hill, Sarah 2018. Squires, Dorothy. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 386-387.

Hill, Sarah and Sion, Pwyll ap 2018. Stevens, Meic. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 389-390.

Hill, Sarah 2018. Super Furry Animals. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 390-391.

Hill, Sarah 2018. Williams, Margaret. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, p. 432.

Hill, Sarah 2018. Un Naw Chwech Wyth. Journal of Communication Inquiry 42 (3) , pp. 300-305. 10.1177/0196859918776506

Hill, Sarah 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212.

Hill, Sarah 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017.

Hill, Sarah 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017.

Hill, Sarah, O'Connell, Joseph and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017.

Hill, Sarah 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438

Hill, Sarah 2017. Celtic music in Wales. In: Horn, David, Shepherd, John and Prato, Paolo eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury,

Hill, Sarah 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4

Hill, Sarah 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017.

Hill, Sarah 2016. San Francisco and the long 60s. London: Bloomsbury Academic.

Hill, Sarah 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016.

Hill, Sarah 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015.

Hill, Sarah 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014.

Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013.

Hill, Sarah 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044

Hill, Sarah 2013. "This is my country": American popular music and political engagement in 1968. In: Kutschke, Beate and Norton, Barley eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63.

Hill, Sarah 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657

Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013.

Hill, Sarah 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013.

Hill, Sarah 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013.

Hill, Sarah 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012.

Hill, Sarah Susan 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In: Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30.

Hill, Sarah 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300.

Hill, Sarah 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012.

Hill, Sarah 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012.

Hill, Sarah 2011. Psychedelia and Its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), University of Lancaster, UK, 28-31 July 2011.

Hill, Sarah 2011. Mary Hopkin and the deep throat of culture. In: Laurie, Stras ed. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, Surrey: Ashgate, pp. 163-182.

Hill, Sarah 2011. Psychedelia and its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), Lancaster, UK, 28-31 July 2011.

Drewett, Michael, Hill, Sarah and Kärki, Kimi, eds. 2010. Peter Gabriel, from Genesis to Growing Up. Ashgate Popular and Folk Music Series, Abingdon: Ashgate.

Hill, Sarah 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089

Hill, Sarah 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X

Hill, Sarah 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009.

Hill, Sarah 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009.

Hill, Sarah 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072

Hill, Sarah 2008. Record companies in Wales. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

Hill, Sarah 2008. Popular music in Wales since 1945. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press,

Hill, Sarah 2008. The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s. Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association, Albuquerque, NM, 13-16 February 2008.

Hill, Sarah 2008. Cerddoriaeth Boblogaidd yng Nghymru ers 1945. Gwyddoniadur Cymru yr Academi Gymreig, University of Wales Press,

Hill, Sarah 2007. Book Review. Monte Dutton, true to the roots: American music revealed. Music and Letters 88 (4) , pp. 708-709. 10.1093/ml/gcm039

Hill, Sarah 2007. A taste of summer. [Radio]. 9 October 2007.

Hill, Sarah 2007. 'Blerwytirhwng?' the place of Welsh pop music. Ashgate Popular and Folk Music Series, Aldershot: Ashgate.

Hill, Sarah 2007. Beyond Borders: The female Welsh pop voice. Radical Musicology 1

Hill, Sarah 2007. 'Blerwytirhwng?' The place of Welsh pop music. Ashgate Popular and Folk Music Series, Abingdon: Ashgate.

Hill, Sarah 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May)

Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40.

Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. In: Inglis, Ian ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40.

Hill, Sarah and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. In: Jane, Aaron and Chris, Williams eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233.

Hill, Sarah 2004. Ending it all: Genesis and Revelation. Presented at: SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11-16 July 2004.

Hill, Sarah 2003. 'All directions were forward from there': The Grateful Dead, San Francisco, and the memory of the 60s. Presented at: 39th Annual RMA Conference: Music Historiography, Cardiff, UK, 12-14 September 2003.

Hill, Sarah 2003. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Presented at: Practising Popular Music: 12th Biennial IASPM Conference, Montreal, QC, Canada, 3-7 July 2003.

Hill, Sarah 2003. Book Review. Stan Hawkins, settling the pop score. Popular Music 22 (2) , pp. 251-253. 10.1017/S026114300323316X

Hill, Sarah and Griffiths, Dai 2002. What did 'Welsh' mean for Welsh pop in the 1990s? Presented at: Postcolonial Wales, Treforest, Wales, UK, 13 July 2002.

Hill, Sarah 2001. Welsh popular music in the 1960s: The roots of an identity. Presented at: Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: 11th Biennial IASPM Conference, Turku, Finland, 6-10 July 2001.

Hill, Sarah 2001. Britpop: Syllu ar Fogail Lloegr. Tu Chwith , pp. 37-44.

Hill, Sarah 2000. Welsh popular music in the Anglo-American market. Presented at: Popular Music and National Culture: IASPM Slovenia Conference, Ljubljana, Slovenia, 22-25 November 2000.

Hill, Sarah 2000. Conference Review. Identities in Action: Gregynog, 10-12 December 1999. Popular Music 19 (3) , pp. 394-395.

Hill, Sarah 2000. Families of resemblance: Welsh popular music and other marginalia. Welsh Music History 4 , pp. 138-147.

Hill, Sarah 1999. Families of resemblance: Welsh popular music and other marginalia. Presented at: University of Wales Centre for Advanced Welsh Musical Studies Conference, Bangor, UK, 29 July -1 August 1999.

Hill, Sarah 1999. O'r Barrio i'r Byd: Marchnata'r Iaith Ryngwladol yn Ninas yr Engylion. Tu Chwith Gwanwy , pp. 100-105.