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Hill, Sarah 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1) , pp. 165-168. 10.1017/S147857221900015X |
Hill, Sarah 2018. Bara Menyn, Y. In: Thomas, Wyn and Ap Sion, Pwyll eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 45-46. |
Hill, Sarah 2018. Bois y Blacbord. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 54. |
Hill, Sarah 2018. Bois y Frenni. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 54-55. |
Hill, Sarah and Gower, Jon 2018. Max Boyce. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 56. |
Hill, Sarah 2018. Catatonia. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 74-75. |
Hill, Sarah 2018. Datblygu. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 131. |
Hill, Sarah and Gower, Jon 2018. Davies, Ryan. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 141-142. |
Hill, Sarah 2018. Ffa Coffi Pawb. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 179-180. |
Hill, Sarah 2018. Gorky's Zygotic Mynci. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 194-195. |
Hill, Sarah and Ap Siôn, Pwyll 2018. Hergest. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 234-235. |
Hill, Sarah 2018. Hogia Llandegai. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 237-238. |
Hill, Sarah 2018. Hogia'r Gogledd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 238. |
Hill, Sarah 2018. Hogia'r Wyddfa. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 238-239. |
Hill, Sarah 2018. Hopkin, Mary. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 239-240. |
Hill, Sarah and Ap Siôn, Pwyll 2018. Iwan, Dafydd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 251-253. |
Hill, Sarah 2018. James, Richard. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 255-256. |
Hill, Sarah and Ap Siôn, Pwyll 2018. Jarman, Geraint. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 257-259. |
Hill, Sarah and Ap Siôn, Pwyll 2018. Jess. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 271-272. |
Hill, Sarah and Ap Glyn, Sion 2018. Jones, Heather. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 281-282. |
Hill, Sarah 2018. Jones, Tom. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 288-289. |
Hill, Sarah 2018. Le Bon, Cate. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 294-295. |
Hill, Sarah 2018. Pelydrau, Y. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 343. |
Hill, Sarah and Herbert, Trevor 2018. Poblogaidd, Cerddoriaeth. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 348-352. |
Hill, Sarah 2018. Pope, Mal. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 352-353. |
Hill, Sarah 2018. Roberts, Robert (Bob Tai'r Felin). In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 369. |
Hill, Sarah 2018. Rhys, Gruff. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 378-379. |
Hill, Sarah 2018. Squires, Dorothy. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 386-387. |
Hill, Sarah and Sion, Pwyll ap 2018. Stevens, Meic. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 389-390. |
Hill, Sarah 2018. Super Furry Animals. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 390-391. |
Hill, Sarah 2018. Williams, Margaret. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, p. 432. |
Hill, Sarah 2018. Un Naw Chwech Wyth. Journal of Communication Inquiry 42 (3) , pp. 300-305. 10.1177/0196859918776506 |
Hill, Sarah 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212. |
Hill, Sarah 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017. |
Hill, Sarah 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017. |
Hill, Sarah, O'Connell, Joseph and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017. |
Hill, Sarah 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438 |
Hill, Sarah 2017. Celtic music in Wales. In: Horn, David, Shepherd, John and Prato, Paolo eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury, |
Hill, Sarah 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4 |
Hill, Sarah 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017. |
Hill, Sarah 2016. San Francisco and the long 60s. London: Bloomsbury Academic. |
Hill, Sarah 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016. |
Hill, Sarah 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015. |
Hill, Sarah 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014. |
Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013. |
Hill, Sarah 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013. |
Hill, Sarah 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013. |
Hill, Sarah 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044 |
Hill, Sarah 2013. "This is my country": American popular music and political engagement in 1968. In: Kutschke, Beate and Norton, Barley eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63. |
Hill, Sarah 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657 |
Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013. |
Hill, Sarah 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013. |
Hill, Sarah 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013. |
Hill, Sarah 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012. |
Hill, Sarah Susan 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In: Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30. |
Hill, Sarah 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300. |
Hill, Sarah 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012. |
Hill, Sarah 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012. |
Hill, Sarah 2011. Psychedelia and Its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), University of Lancaster, UK, 28-31 July 2011. |
Hill, Sarah 2011. Mary Hopkin and the deep throat of culture. In: Laurie, Stras ed. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, Surrey: Ashgate, pp. 163-182. |
Hill, Sarah 2011. Psychedelia and its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), Lancaster, UK, 28-31 July 2011. |
Drewett, Michael, Hill, Sarah and Kärki, Kimi, eds. 2010. Peter Gabriel, from Genesis to Growing Up. Ashgate Popular and Folk Music Series, Abingdon: Ashgate. |
Hill, Sarah 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089 |
Hill, Sarah 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X |
Hill, Sarah 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009. |
Hill, Sarah 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009. |
Hill, Sarah 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072 |
Hill, Sarah 2008. Record companies in Wales. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press, |
Hill, Sarah 2008. Popular music in Wales since 1945. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press, |
Hill, Sarah 2008. The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s. Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association, Albuquerque, NM, 13-16 February 2008. |
Hill, Sarah 2008. Cerddoriaeth Boblogaidd yng Nghymru ers 1945. Gwyddoniadur Cymru yr Academi Gymreig, University of Wales Press, |
Hill, Sarah 2007. Book Review. Monte Dutton, true to the roots: American music revealed. Music and Letters 88 (4) , pp. 708-709. 10.1093/ml/gcm039 |
Hill, Sarah 2007. A taste of summer. [Radio]. 9 October 2007. |
Hill, Sarah 2007. 'Blerwytirhwng?' the place of Welsh pop music. Ashgate Popular and Folk Music Series, Aldershot: Ashgate. |
Hill, Sarah 2007. Beyond Borders: The female Welsh pop voice. Radical Musicology 1 |
Hill, Sarah 2007. 'Blerwytirhwng?' The place of Welsh pop music. Ashgate Popular and Folk Music Series, Abingdon: Ashgate. |
Hill, Sarah 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May) |
Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40. |
Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. In: Inglis, Ian ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40. |
Hill, Sarah and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. In: Jane, Aaron and Chris, Williams eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233. |
Hill, Sarah 2004. Ending it all: Genesis and Revelation. Presented at: SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11-16 July 2004. |
Hill, Sarah 2003. 'All directions were forward from there': The Grateful Dead, San Francisco, and the memory of the 60s. Presented at: 39th Annual RMA Conference: Music Historiography, Cardiff, UK, 12-14 September 2003. |
Hill, Sarah 2003. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Presented at: Practising Popular Music: 12th Biennial IASPM Conference, Montreal, QC, Canada, 3-7 July 2003. |
Hill, Sarah 2003. Book Review. Stan Hawkins, settling the pop score. Popular Music 22 (2) , pp. 251-253. 10.1017/S026114300323316X |
Hill, Sarah and Griffiths, Dai 2002. What did 'Welsh' mean for Welsh pop in the 1990s? Presented at: Postcolonial Wales, Treforest, Wales, UK, 13 July 2002. |
Hill, Sarah 2001. Welsh popular music in the 1960s: The roots of an identity. Presented at: Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: 11th Biennial IASPM Conference, Turku, Finland, 6-10 July 2001. |
Hill, Sarah 2001. Britpop: Syllu ar Fogail Lloegr. Tu Chwith , pp. 37-44. |
Hill, Sarah 2000. Welsh popular music in the Anglo-American market. Presented at: Popular Music and National Culture: IASPM Slovenia Conference, Ljubljana, Slovenia, 22-25 November 2000. |
Hill, Sarah 2000. Conference Review. Identities in Action: Gregynog, 10-12 December 1999. Popular Music 19 (3) , pp. 394-395. |
Hill, Sarah 2000. Families of resemblance: Welsh popular music and other marginalia. Welsh Music History 4 , pp. 138-147. |
Hill, Sarah 1999. Families of resemblance: Welsh popular music and other marginalia. Presented at: University of Wales Centre for Advanced Welsh Musical Studies Conference, Bangor, UK, 29 July -1 August 1999. |
Hill, Sarah 1999. O'r Barrio i'r Byd: Marchnata'r Iaith Ryngwladol yn Ninas yr Engylion. Tu Chwith Gwanwy , pp. 100-105. |