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Number of items: 7.
Bigold, Melanie
2019.
Self-fashioning and poetic voice: Elizabeth Singer Rowe's authorial prerogative.
Review of English Studies
70
(293)
, pp. 74-94.
10.1093/res/hgy076
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| Bigold, Melanie 2016. English ballet: a national art for the new Elizabethan moment. In: Morra, Irene and Gossedge, Rob eds. The New Elizabethan Age: Culture, Society and National Identity after WWII, International Library of Twentieth Century History, London and New York: I.B. Tauris, |
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| Bigold, Melanie 2013. "The theatre of the book": marginalia and "mise en page" in the Cardiff Rare Books Restoration Drama Collection. [Online]. Cardiff: Centre for Editorial & Intertextual Research, Cardiff University. Available at: http://cardiffbookhistory.files.wordpress.com/2013... |
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| Bigold, Melanie 2013. Women of Letters, Manuscript Circulation, and Print Afterlives in the Eighteenth Century: Elizabeth Rowe, Catharine Cockburn and Elizabeth Carter. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print, Basingstoke: Palgrave Macmillan. |
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| Bigold, Melanie 2013. Collecting, cataloguing and losing women writers: George Ballard's 'Memoirs of Several Ladies'. [Working Paper]. Working Papers in Language and Literature, Cardiff: Cardiff University. |
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| Bigold, Melanie 2010. Letters and learning. In: Ballaster, Ros ed. A History of British Women's Writing: 1690-1750, Vol. 4. Basingstoke: Palgrave, pp. 173-186. |
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| Bigold, Melanie 2006. Elizabeth Rowe's fictional and familiar letters: Exemplary enthusiasm and the production of posthumous thinking. British Journal for Eighteenth Century Studies 29 (1) , pp. 1-14. 10.1111/j.1754-0208.2006.tb00631.x |
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