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Number of items: 8.

Smith, Carrie 2019. ‘What am I?’: Locating the indeterminate voices of Ted Hughes’s animal poems. In: Ryan, Derek, Spenser, Jane and Edwards, Karen eds. Reading Literary Animals: Medieval to Modern, Perspectives on the Non-human in Literature and Culture, Routledge,

Smith, Carrie 2018. Spectral Ophelia: Reading manuscript cancellations contextually in Ted Hughes’s Cave Birds. In: Roberts, Neil, Wormald, Mark and Gifford, Terry eds. Ted Hughes, Nature and Culture, Basingstoke: Palgrave Macmillan, pp. 195-214.

Smith, Carrie 2018. Ted Hughes and voice. In: Gifford, Terry ed. Ted Hughes in Context, Literature in Context, Cambridge: Cambridge University Press, pp. 93-102.

Smith, Carrie 2016. Inscription and erasure: mining for Welsh Dahl in the archive. In: Walford Davies, Damian ed. Roald Dahl: Wales of the unexpected, Cardiff: University of Wales Press,

Smith, Carrie 2015. Paul Bentley. Ted Hughes, class and violence [Book Review]. Review of English Studies 66 (276) , pp. 801-803. 10.1093/res/hgv002

Smith, Carrie 2013. 'The Ted Hughesness of Ted Hughes': the construction of a 'voice' in Ted Hughes readings and recordings. In: Wormald, Mark, Roberts, Neil and Gifford, Terry eds. Ted Hughes: from Cambridge to collected, Basingstoke: Palgrave Macmillan, pp. 205-220.

Smith, Carrie and Stead, Lisa, eds. 2013. The boundaries of the literary archive. Farnham: Ashgate.

Smith, Carrie 2013. Illustration and Ekphrasis: the working drafts of Ted Hughes's Cave Birds. In: Smith, Carrie and Stead, Lisa eds. The Boundaries of the Literary Archive: Reclamation and Representation, London and New York: Routledge, pp. 123-128.

This list was generated on Sun Oct 25 04:33:30 2020 GMT.