ORCA
Online Research @ Cardiff
Browse by Current Cardiff authors
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Number of items: 8.
| Hammond, Charlotte 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24 (1) , pp. 33-57. 10.1080/1362704X.2018.1441001 |
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| Hammond, Charlotte 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. haitisupportgroup.org: Available at: https://haitisupportgroup.org/garment-factories-re... |
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| Hammond, Charlotte 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019 (Mar 5) |
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| Hammond, Charlotte 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures, Liverpool: Liverpool University Press. |
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| Hammond, Charlotte 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. In: Gordon, Leah ed. Ghetto Biennale / Geto Byenal 2009-2015, Port-au-Prince: Central Books, pp. 84-100. |
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Hammond, Charlotte
2017.
A cross-dressed Kanaval.
Women and Performance
27
(2)
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| Hammond, Charlotte 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. In: Joseph, Celucien L., Pierre, Shallum, Charles, Asselin and Cleophat, Nixon S. eds. Vodou in the Haitian Experience: A Black Atlantic Perspective, Lexington Books, |
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| Hammond, Charlotte 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18 (2) , pp. 64-82. |
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