ORCA
Online Research @ CardiffÂ
Browse by Current Cardiff authors
 | Up a level |
Number of items: 18.
| Beeston, Alix 2020. A ghost with a camera. Post45 |
|
| Beeston, Alix 2020. Fingers stained with fruit and ink. Rev. of Ellena Savage, Blueberries (Text Publishing/Scribe, 2020). [Online]. https://sydneyreviewofbooks.com: Writing and Society Research Centre. Available at: https://sydneyreviewofbooks.com/review/ellena-sava... |
|
|
|
Beeston, Alix
2020.
The Watch-bitch now: Reassessing the natural woman in Han Kang's The Vegetarian and Charlotte Wood's The Natural Way of Things.
Signs: Journal of Women in Culture and Society
45
(3)
, pp. 679-702.
10.1086/706472
Item availability restricted. |
|
|
Beeston, Alix, Kingston-Reese, Alexandra and Kindey, Cadence
2020.
On Instagram: an intimate, immediate conversation.
ASAP/J
|
|
| Beeston, Alix 2019. Working the trap. Introduction to Special Conference Cluster, Modernist #MeToo and the working woman. Feminist Modernist Studies 2 (3) , pp. 304-313. 10.1080/24692921.2019.1668184 |
|
| Beeston, Alix 2019. Looking like a modernist. Modernism/modernity Print Plus 4 (2) , -. |
|
|
| Beeston, Alix 2019. The sound of loss. Docalogue , -. |
|
|
| Dowling, Sarah, Colesworthy, Rebecca, Rydstrand, Helen and Beeston, Alix 2019. Opening the book, part II. [Online]. Modernism/modernity Print Plus. Available at: https://modernismmodernity.org/forums/posts/openin... |
|
|
| Beeston, Alix 2019. Still Modernism: Photography, Literature, Film by Louise Hornby [Book Review]. Modernism/modernity 26 (1) , pp. 219-222. 10.1353/mod.2019.0010 |
|
|
| Beeston, Alix 2018. From early photography to the Instagram age. [Online]. Oxford: Oxford University Press Blog. Available at: https://blog.oup.com/2018/04/women-early-photograp... |
|
|
| Beeston, Alix 2018. The Rock on top: From King Kong to Dwayne Johnson's Skyscraper. [Online]. Los Angeles Review of Books. Available at: https://blog.lareviewofbooks.org/essays/rock-top-k... |
|
|
| Beeston, Alix 2018. Object women: A history of women in photography. [Online]. Instagram. Available at: http://www.instagram.com/objectwomen |
|
|
| Beeston, Alix 2018. Looking again at women in photography. [Online]. George Eastman Museum. Available at: https://www.eastman.org/looking-again-women-photog... |
|
|
| Beeston, Alix 2018. In and Out of Sight: Modernist Writing and the Photographic Unseen. Modernist Literature and Culture, Oxford and New York: Oxford University Press. |
|
|
| Beeston, Alix 2017. Icons of depression. Arizona Quarterly 73 (2) , pp. 1-36. 10.1353/arq.2017.0007 |
|
|
| Beeston, Alix 2017. Images in crisis: Three Lives's vanishing women. Modernism/modernity 2 (2) 10.26597/mod.0006 |
|
|
| Beeston, Alix 2016. A "leg show dance" in a skyscraper: The sequenced mechanics of John Dos Passos's Manhattan Transfer. PMLA 131 (3) , pp. 636-651. 10.1632/pmla.2016.131.3.636 |
|
|
| Beeston, Alix 2015. What do we love when we love books by dead authors? The Conversation Australia 2015 (July 2) |
|
|
Cardiff University Information Services