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Online Research @ Cardiff
Browse by Current Cardiff authors
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Number of items: 15.
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Millar, Stephen and Chatzipanagiotidou, Evropi
2021.
From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence.
Ethnomusicology Forum
10.1080/17411912.2020.1865178
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| Millar, Stephen 2020. Popular music as a weapon: Irish rebel songs and the onset of the Northern Ireland troubles. In: Mangaoang, Áine, O'Flynn, John and Ó Briain, Lonán eds. Made in Ireland: Studies in Popular Music, New York: Routledge, pp. 130-141. |
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Calo, Francesca, Steiner, Artur, Millar, Stephen and Teasdale, Simon
2020.
The impact of a community‐based music intervention on the health and well‐being of young people: A realist evaluation.
Health and Social Care in the Community
28
(3)
, pp. 988-997.
10.1111/hsc.12931
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| Millar, Stephen R. 2020. Sounding dissent: rebel songs, resistance, and Irish republicanism. Music and Social Justice, Ann Arbor: University of Michigan Press. 10.3998/mpub.11393212 |
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Power, Martin J., Widdop, Paul, Parnell, Dan, Carr, James and Millar, Stephen R.
2020.
Football and politics: the politics of football.
Managing Sport and Leisure
25
(1-2)
, pp. 1-5.
10.1080/23750472.2020.1723437
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Millar, Stephen, Steiner, Artur, Caló, Francesca and Teasdale, Simon
2019.
COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland.
British Journal of Music Education
, pp. 1-12.
10.1017/S0265051719000226
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Millar, Stephen R.
2018.
'Music is my AK-47': performing resistance in Belfast's rebel music scene.
Journal of the Royal Anthropological Institute
24
(2)
, pp. 348-365.
10.1111/1467-9655.12814
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| Carr, James, Power, Martin and Millar, Stephen 2017. More than a game: football, politics and popular culture. Brainstorm |
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| Millar, Stephen R. 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3) , pp. 297-319. 10.1017/S0261143016000519 |
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Millar, Stephen R.
2016.
Irish Republican music and (post)colonial schizophrenia.
Popular Music and Society
40
(1)
, pp. 75-88.
10.1080/03007766.2016.1229098
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| Millar, Stephen 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1) |
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| Millar, Stephen R. 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1) 10.3998/mp.9460447.0009.102 |
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Goodall, Kay, McKerrell, Simon, Markey, John, Millar, Stephen R. and Richardson, Michael J.
2015.
Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb?
Scottish Affairs
24
(3)
, pp. 288-307.
10.3366/scot.2015.0079
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| Millar, Stephen R. 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1) |
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| Goodall, Kay, Hopkins, Peter, McKerrell, Simon, Markey, John, Millar, Stephen R., Richardson, John and Richardson, Michael J. 2015. Community experiences of sectarianism. [Project Report]. London: Scottish Government Social Research. Available at: https://www.gov.scot/Resource/0047/00470344.pdf |
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