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Cenciarelli, Carlo, ed. 2021. The Oxford handbook of cinematic listening. Oxford Handbooks, Oxford: Oxford University Press. |
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Fokkens, Robert
2021.
Bhekizizwe.
[Score].
|
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Millar, Stephen and Chatzipanagiotidou, Evropi
2021.
From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence.
Ethnomusicology Forum
10.1080/17411912.2020.1865178
Item availability restricted. |
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Rae, Caroline 2021. Pianism and virtuosity in Messiaen’s Vingt regards sur l’enfant-Jésus. In: Sholl, Robert ed. Messiaen in Context, Cambridge: Cambridge University Press, |
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Rae, Caroline 2021. Revitalising the spiritual: Messiaen and La Jeune France. In: Sholl, Robert ed. Messiaen in Context, Cambridge: Cambridge University Press, |
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Rowden, Clair 2021. Catholicism and moral philosophy in nineteenth-century France. In: Dufetel, Nicolas ed. Religious Music in Ninteenth-Century France, Turnhout: Brepols, |
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Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline, eds. 2020. Claude Debussy d’hier à aujourd’hui. Paris: Société française de musicologie. |
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Smith, Richard Langham and Rowden, Clair, eds. 2020. Carmen abroad: Bizet's opera on the global stage. Cambridge University Press. |
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Bickerton, Daniel
2020.
As Alive As Ever.
|
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Bickerton, Daniel
2020.
Breaker of Stones.
|
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Bickerton, Daniel 2020. Ensemble music-making: responding to the challenges of COVID-19 for performers and composers. Presented at: MusicHE 2020, Online, 3 July 2020. |
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Bickerton, Daniel
2020.
Wild Water.
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Bickerton, Daniel
2020.
Wires Crossed.
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Bickerton, Daniel
2020.
Yearning.
|
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Bromley, Matthew
2020.
Formations – Music from rocks: New approaches to systematic composition.
PhD Thesis,
Cardiff University.
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Calo, Francesca, Steiner, Artur, Millar, Stephen and Teasdale, Simon
2020.
The impact of a community‐based music intervention on the health and well‐being of young people: A realist evaluation.
Health and Social Care in the Community
28
(3)
, pp. 988-997.
10.1111/hsc.12931
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Cenciarelli, Carlo 2020. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. The Oxford Handbook of Cinematic Listening, Oxford Handbooks, Oxford: Oxford University Press, |
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Cenciarelli, Carlo 2020. The possibilities of cinematic listening - an introduction. The Oxford Handbook of Cinematic Listening, Oxford University Press, |
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Chapin, Keith 2020. Beethoven's nature: idealism and sovereignty from an ecocritical perspective. In: Chapin, Keith and Jones, David Wyn eds. Beethoven Studies 4, Cambridge: Cambridge University Press, pp. 103-120. |
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Charuprakorn, Poumpak
2020.
The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 1 of 2: Portfolio of original compositions.
PhD Thesis,
Cardiff University.
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Charuprakorn, Poumpak
2020.
The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 2 of 2: Academic Commentary.
PhD Thesis,
Cardiff University.
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Faria Gomes, Pedro 2020. Pedro Faria Gomes: chamber works (Performed by Miguel Fernandes, Nancy Johnson, Saul Picado, Carla Santos and Sarah Thurlow). [CD]. 31 January 2020. ID number: 8.579029. Available at: https://www.naxos.com/catalogue/item.asp?item_code... |
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Hamilton, Kenneth 2020. More preludes to Chopin: nocturnes, waltzes and other works. 2020. |
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Hamilton, Kenneth
2020.
Do they still hate Horowitz?: The "last romantic" revisited.
Journal of Musicological Research
39
(2-3)
, pp. 246-271.
10.1080/01411896.2020.1774755
Item availability restricted. |
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Hamilton, Kenneth 2020. Après une Lecture du Czerny? Liszt’s creative virtuosity. In: Doran, Robert ed. Liszt and Virtuosity, Eastman Studies in Music, New York: University of Rochester Press, pp. 41-92. (10.2307/j.ctvxhrkq3.6) |
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Hillyard, Joseph
2020.
Tremulous images: An original portfolio of compositions based on and informed by static visual art.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Jones, David Wyn 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, Keith and Jones, David Wyn eds. Beethoven Studies 4, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 166-188. (10.1017/9781108552813.009) |
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Jones, Nicholas 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020. |
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Jones, Nicholas 2020. Landscape and place. In: Jones, Nicholas and McGregor, Richard eds. The Music of Peter Maxwell Davies, Woodbridge: Boydell & Brewer, pp. 251-302. (10.1017/9781787446823.008) |
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Jones, Nicholas and McGregor, Richard 2020. The music of Peter Maxwell Davies. Boydell & Brewer. |
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Lawford, Roderick Charles
2020.
Roma as alien: Music and identity of the Roma in Romania.
PhD Thesis,
Cardiff University.
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Leech, Peter 2020. Gaudeamus omnes: Catholic liturgical music for St Thomas Becket in the British Isles, continental Europe and the venerable English college, Rome, c.1170-2020. In: Whitehead, Maurice ed. Memory, Martyrs, and Mission: Essays to Commemorate the 850th Anniversary of the Martyrdom of St Thomas Becket (c.1118-1170), Gangemi Editore, pp. 95-128. |
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Long, Ashley John
2020.
The creative application of extended techniques for
double bass in improvisation and composition - Volume 1.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Long, Ashley John
2020.
The creative application of extended techniques for
double bass in improvisation and composition - Volume 2.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Millar, Stephen 2020. Popular music as a weapon: Irish rebel songs and the onset of the Northern Ireland troubles. In: Mangaoang, Áine, O'Flynn, John and Ó Briain, Lonán eds. Made in Ireland: Studies in Popular Music, New York: Routledge, pp. 130-141. |
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Millar, Stephen R. 2020. Sounding dissent: rebel songs, resistance, and Irish republicanism. Music and Social Justice, Ann Arbor: University of Michigan Press. 10.3998/mpub.11393212 |
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O'Connell, Joe 2020. 'Caught in a culture crossover!' Rock against racism and Alien Kulture. In: Arnold, Gina and McKay, George eds. The Oxford Handbook of Punk Rock, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780190859565.013.20) |
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O'Connell, John M. 2020. Free radical: music, violence and radicalism. Journal of Popular Music Studies 33 (1) , pp. 156-163. 10.1525/jpms.2021.33.1.156 |
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O'Connell, John M.
2020.
Sound bites: music as violence.
Transposition
9
(2)
10.4000/transposition.4524
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O'Connell, John Morgan 2020. E pluribus unum. Querelles d’hymnes dans l’Empire ottoman, 1908-1918. Gradhiva 31 , pp. 56-73. 10.4000/gradhiva.4967 |
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Power, Martin J., Widdop, Paul, Parnell, Dan, Carr, James and Millar, Stephen R.
2020.
Football and politics: the politics of football.
Managing Sport and Leisure
25
(1-2)
, pp. 1-5.
10.1080/23750472.2020.1723437
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Rae, Caroline 2020. Forging identities: Latin Americans in Paris and the musical interactions of Miguel Angel Asturias and Alejo Carpentier. In: Huebner, Steven and Lazzaro, Federico eds. Artistic Migration and Identity: Paris 1870-1940, Bern, New York, Oxford: Peter Lang, pp. 153-166. (10.3726/b14353) |
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Rae, Caroline 2020. Jolivet reassessed. Presented at: Université de Montréal Research Seminar, Université de Montréal [via Zoom], 14 October 2020. |
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Rae, Caroline 2020. Marius-François Gaillard and his Debussy recordings: Performance, style and pianistic aesthetic. In: Branger, Jean-Christophe, Moron, Nicolas, Pimentel, Juliana and Rae, Caroline eds. Claude Debussy d’hier à aujourd’hui, Paris: Société française de musicologie, |
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Rowden, Clair 2020. The sopranos, Parisian style, 1869. Opera as Institution: Networks and Professions (1730-1917), LIT Verlag, pp. 119-134. |
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Rowden, Clair 2020. 'Carmen' faces Paris and the provinces. In: Langham Smith, Richard and Rowden, Clair eds. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge: Cambridge University Press, pp. 45-63. |
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Rowden, Clair 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures, Brepols. |
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Smith, Richard Langham and Rowden, Clair 2020. 'Carmen' at home and abroad. Carmen Abroad: Bizet's Opera on the Global Stage, Cambridge University Press, pp. 3-25. |
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Williams, Annika
2020.
‘Curious sola’s’ The solo sonata in Restoration Britain.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Beard, David 2019. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians. In: Adlington, Robert ed. New Music Theatre in Europe: Transformations Between 1955–1975, Musical Cultures of the Twentieth Century, Abingdon and New York: Routledge, pp. 227-254. (10.4324/9780429451669-11) |
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Beard, David
2019.
'Out of the air': Judith Weir's emergence in 1970s Britain, or interpreting creative self-censorship.
Music and Letters
100
(3)
, pp. 481-528.
10.1093/ml/gcz002
Item availability restricted. |
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Bickerton, Daniel
2019.
nighTrain.
|
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Bickerton, Daniel
2019.
Smile.
|
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Bickerton, Daniel
2019.
By Gosh, By Golly.
[Score].
|
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Boyd, Blair Elizabeth
2019.
Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary.
PhD Thesis,
Cardiff University.
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Chapin, Keith 2019. Nid darbwyllo ond llesmeirio: Yr aruchel yn ei gyd-destun Cymreig. O'r Pedwar Gwynt |
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Charest, Jeffrey Paul
2019.
The long necked lute’s eternal return: Mythology, morphology, iconography of the Tanbūr Lute family from Ancient Mesopotamia to Ottoman Albania.
PhD Thesis,
Cardiff University.
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Davis, Benjamin
2019.
‘Performing realism’: A practice-led study of contemporary realism in the staging of opera.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Hamilton, Kenneth 2019. John Casken: Six Wooded Pieces (on CD Stolen Airs). [CD]. 2019. |
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Hamilton, Kenneth 2019. Kenneth Hamilton plays Ronald Stevenson Volume 2. [CD]. 12 July 2019. ID number: PFCD107. |
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Hamilton, Kenneth 2019. Kenneth Hamilton plays Ronald Stevenson, volume 2. 12 July 2019. |
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Hill, Sarah 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1) , pp. 165-168. 10.1017/S147857221900015X |
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Jassey, Victoria Rosemary
2019.
Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Jones, David 2019. Religious views. In: Keefe, Simon ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 27-33. |
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Jones, David 2019. Vienna. In: Keefe, Simon ed. Mozart in Context, Composers in Context, Cambridge: Cambridge University Press, pp. 88-96. |
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Jones, David 2019. Institutions. In: Clark, Caryl and Day-O'Connell, Sarah eds. The Cambridge Haydn Encyclopedia, Cambridge: Cambridge University Press, pp. 167-177. |
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Jones, Nicholas 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html |
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Loten, Nicola Jayne
2019.
The solo sonatas of George Frideric Handel,
with particular reference to the sonatas for flute and recorder.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Maher, Nicola
2019.
The crying clarinet: Emotion and music in Parakalamos.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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McReynolds, Richard
2019.
An exploration of the influence of technology upon the composer’s process.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Millar, Stephen, Steiner, Artur, Caló, Francesca and Teasdale, Simon
2019.
COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland.
British Journal of Music Education
, pp. 1-12.
10.1017/S0265051719000226
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O'Connell, Joseph 2019. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent festival. Riffs 3 (2) |
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Rae, Caroline 2019. Chronology of Jolivet’s life and works. In: Rae, Caroline ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, xxii-xxxix. |
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Rae, Caroline 2019. Expressing the incantatory: performing Jolivet's Cinq églogues (1967) for solo viola. Presented at: Public Research Seminar, Royal Birmingham Conservatoire, 29 October 2019. |
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Rae, Caroline 2019. Introduction: Jolivet in context. In: Rae, Caroline ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 1-12. |
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Rae, Caroline 2019. Poulenc at the BBC: composer of the month. BBC Music Magazine Novemb , pp. 66-70. |
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Rae, Caroline 2019. Proportioning the divine: Jolivet and the golden section. Presented at: Public Research Seminar, University of Aberdeen, 24 October 2019. |
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Rae, Caroline 2019. Sourcing Jolivet’s compositional aesthetic: Literary influences and his library. In: Rae, Caroline ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon: Routledge, pp. 194-213. |
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Rae, Caroline 2019. Jolivet and the visual arts: Interactions and influences. In: Rae, Caroline ed. André Jolivet: Music, Art and Literature, Music and Literature, Abingdon and New York: Routledge, pp. 107-131. |
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Rae, Caroline 2019. Mussorgsky and his French compositional descendants’. London: Signum Classics, SIGCD-566. |
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Rae, Caroline 2019. Catalysing Latin American identities: Alejo Carpentier’s music criticism as a Cuban case study. In: Dingle, Christopher ed. The Cambridge History of Music Criticism, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 484-501. |
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Rae, Caroline, Anderson, Julian and Potter, Caroline 2019. The incantatory and the divine: new perspectives on the music of André Jolivet. Presented at: Guildhall School of Music and Drama Research Seminar (ResearchWorks series), Guildhall School of Music and Drama, 18 November 2019. |
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Rowden, Clair 2019. Carmen: Life and death on stage in the 21st century. Welsh National Opera. |
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Rowden, Clair
2019.
“Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet.
Flaubert: Revue Critique et Génétique
21
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Sierra, Arlene
2019.
Studies in choreography.
[Score].
|
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Villepastour, Amanda 2019. The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections. In: Brunn, Stanley D. and Kehrein, Roland eds. Handbook of the Changing World Language Map, Dordrecht: Springer, pp. 1-28. (10.1007/978-3-030-02438-3_183) |
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Heile, Björn and Wilson, Charles, eds. 2018. The Routledge research companion to Modernism in music. London and New York: Routledge. |
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Rae, Caroline, ed. 2018. André Jolivet: music, art and literature. Music and Literature, London: Routledge. 10.4324/9780429429255 |
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Bickerton, Daniel
2018.
Flypast.
|
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Bickerton, Daniel
2018.
Simmer down.
|
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Bickerton, Daniel 2018. Learn Plus: Advantages in formative assessments. Presented at: Cardiff University Education Innovation Week, Cardiff, UK, 23 January 2018. |
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Bickerton, Daniel 2018. Assessment and feedback challenges in music. Presented at: Assessment Challenges and Challenging Assessment, Cardiff, UK, 24 September 2018. |
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Bickerton, Daniel 2018. The opportunities of Panopto within the School of Music. . Cardiff: Cardiff University Centre for Education Innovation. Available at: https://www.youtube.com/watch?v=gnw6gdTKlIk |
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Bickerton, Daniel and Gornall, Lynne 2018. Playing together: What can academics in higher education learn from musicians about creative leadership and collaboration? In: Gornall, Lynne, Thomas, Brychan and Sweetman, Lucy eds. Exploring Consensual Leadership in Higher Education, London: Bloomsbury, pp. 243-262. |
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Cenciarelli, Carlo 2018. The sense of an ending: music, time and romance in Before Sunrise. In: Bayman, L. and Pinazza, N. eds. Journeys on Screen: Theory, Ethics and Aesthetics, Edinburgh: Edinburgh University Press, pp. 167-182. |
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Faria Gomes, Pedro 2018. Analytical reductions. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 11 January 2018. |
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Faria Gomes, Pedro
2018.
Sonata.
[Score].
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Faria Gomes, Pedro
2018.
Tableaux.
[Score].
|
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Febrer Coll, Eulalia
2018.
‘Evolved’ traditions: The role of music in contemporary spiritual practices.
PhD Thesis,
Cardiff University.
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Fokkens, Rob
2018.
Dances and chorales: for two violins and electronics.
[Performance and Score].
|
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Fokkens, Robert
2018.
Reaching, Falling.
[Composition].
|
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Hamilton, Kenneth 2018. Preludes to Chopin - sonatas, barcarolle, polonaise. 5 October 2018. ID number: PFCD084. |
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Hayden, Andrew
2018.
The organs and organists of St Nicholas, Great Yarmouth 1733-1894.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Hill, Sarah 2018. Un Naw Chwech Wyth. Journal of Communication Inquiry 42 (3) , pp. 300-305. 10.1177/0196859918776506 |
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Hill, Sarah 2018. Bara Menyn, Y. In: Thomas, Wyn and Ap Sion, Pwyll eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 45-46. |
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Hill, Sarah 2018. Bois y Blacbord. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 54. |
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Hill, Sarah 2018. Bois y Frenni. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 54-55. |
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Hill, Sarah 2018. Catatonia. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 74-75. |
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Hill, Sarah 2018. Datblygu. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 131. |
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Hill, Sarah 2018. Ffa Coffi Pawb. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 179-180. |
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Hill, Sarah 2018. Gorky's Zygotic Mynci. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 194-195. |
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Hill, Sarah 2018. Hogia Llandegai. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 237-238. |
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Hill, Sarah 2018. Hogia'r Gogledd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 238. |
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Hill, Sarah 2018. Hogia'r Wyddfa. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 238-239. |
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Hill, Sarah 2018. Hopkin, Mary. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 239-240. |
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Hill, Sarah 2018. James, Richard. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 255-256. |
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Hill, Sarah 2018. Jones, Tom. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 288-289. |
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Hill, Sarah 2018. Le Bon, Cate. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 294-295. |
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Hill, Sarah 2018. Pelydrau, Y. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 343. |
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Hill, Sarah 2018. Pope, Mal. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 352-353. |
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Hill, Sarah 2018. Rhys, Gruff. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 378-379. |
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Hill, Sarah 2018. Roberts, Robert (Bob Tai'r Felin). In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 369. |
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Hill, Sarah 2018. Squires, Dorothy. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 386-387. |
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Hill, Sarah 2018. Super Furry Animals. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 390-391. |
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Hill, Sarah 2018. Williams, Margaret. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, p. 432. |
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Hill, Sarah and Ap Glyn, Sion 2018. Jones, Heather. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 281-282. |
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Hill, Sarah and Ap Siôn, Pwyll 2018. Hergest. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 234-235. |
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Hill, Sarah and Ap Siôn, Pwyll 2018. Iwan, Dafydd. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 251-253. |
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Hill, Sarah and Ap Siôn, Pwyll 2018. Jarman, Geraint. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 257-259. |
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Hill, Sarah and Ap Siôn, Pwyll 2018. Jess. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 271-272. |
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Hill, Sarah and Gower, Jon 2018. Davies, Ryan. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, pp. 141-142. |
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Hill, Sarah and Gower, Jon 2018. Max Boyce. In: Ap Siôn, Pwyll and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, United Kingdom: Y Lolfa, p. 56. |
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Hill, Sarah and Herbert, Trevor 2018. Poblogaidd, Cerddoriaeth. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 348-352. |
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Hill, Sarah and Sion, Pwyll ap 2018. Stevens, Meic. In: Sion, Pwyll ap and Thomas, Wyn eds. Cydymaith i Gerddoriaeth Cymru, Y Lolfa, pp. 389-390. |
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Jones, Nicholas 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018. |
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Jones, Nicholas 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018. |
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Millar, Stephen R.
2018.
'Music is my AK-47': performing resistance in Belfast's rebel music scene.
Journal of the Royal Anthropological Institute
24
(2)
, pp. 348-365.
10.1111/1467-9655.12814
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Moore, Rachel 2018. Performing propaganda: musical life and culture in Paris during the First World War. Music in Society and Culture, The Boydell Press. 10.1017/9781787442238 |
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Moore, Rachel 2018. The legacy of war: conceptualising wartime musical life in the post-war musical press, 1919-1920. In: Kelly, Barbara L. and Moore, Christopher eds. Music Criticism in France, 1918-1939 Authority, Advocacy, Legacy, The Boydell Press, pp. 245-265. |
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Murray, Samuel
2018.
An ethnography of the music scene in Portland, Oregon.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Neale, Elizabeth Katherine Ruth
2018.
Cornish carols: Heritage in California and South Australia.
PhD Thesis,
Cardiff University and University of Exeter.
Item availability restricted. |
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O'Connell, John Morgan 2018. Bedî Mensî: Arel ve Ahenk. In: Turan, In Fikret, Temel, Emine and Kurban, Emre eds. 2017 Arel Sempozyumu bildirileri: Uluslararası Hüseyin Sadettin Arel ve Türk Müziği Sempozyumu (13-14 Aralık 2017), Vol. 5247. Istanbul: Türkiyat Araştırmaları Enstitüsü, pp. 341-350. |
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O'Connell, Joseph 2018. Rethinking Live Aid: a social mo(ve)ment? Presented at: Music and Social Movements Symposium, Northumbria University, 30 November 2018. -. |
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O'Connell, Joseph 2018. 'Suffer Louder': the cultural politics of the American mathcore canon. Presented at: Metal Punk Conference, De Montfort University, Leicester, 13-14 December 2018. -. |
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O'Connell, Joseph 2018. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent. Presented at: Crosstown Traffic: Popular Music Theory and Practice, University of Huddersfield, 3-5 September 2018. -. |
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O'Connell, Joseph 2018. A Friday afternoon stroll through ArcTanGent Festival with Alpha Male Tea Party. Riffs: Experimental writing on popular music , pp. 5-7. |
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O'Connell, Joseph and Murray, Samuel 2018. 'Are You With Me Now?': the sŵn performer's journey. Presented at: Past and Present: Local Music Making and the Politics of Popular Music, REDHOUSE Cymru, Merthyr Tydfil, 27 January 2018. -. |
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Pace, Ian
2018.
The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Palidda, Alessandra 2018. Le pubbliche feste: Musical performances and propaganda strategies in Jacobin Milan (1796-1799). In: Lorens, Ana ed. VIII Jornadas de Jóvenes Musicólogos. Libro de Actas, Madrid: Wordpress JAM, pp. 213-228. |
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Price, Gareth Idwal John
2018.
Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Rae, Caroline 2018. Marius-François Gaillard and his Debussy recordings [CD Booklet article]. UK: Appian Publications and Recordings, APR 6025. |
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Rae, Caroline 2018. Exploring Marius-François Gaillard’s Debussy recordings. Presented at: Debussy Day: Commemorating the 100th Anniversary of Debussy's Death, University of Bangor, Wales, UK, 12 March 2018. |
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Rae, Caroline 2018. Exploring Debussy’s legacy: Maurice Ohana’s 'Tombeau de Claude Debussy'. Presented at: Claude Debussy in 2018: a Centenary Celebration, Manchester and Glasgow, UK, 19-23 March 2018. |
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Rae, Caroline 2018. André Jolivet, Antonin Artaud and Alejo Carpentier: Redefining the surreal. Presented at: Surrealism and Music in France 1924-1952: Interdisciplinary and International Contexts, Senate House, London, UK, 8 June 2018. |
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Rae, Caroline 2018. Debussy's Violin Sonata. [BBC Radio Podcast]. June 2018. |
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Rae, Caroline 2018. From a foreign correspondent: the Parisian chronicles of Alejo Carpentier. In: Kelly, Barbara L. and Moore, Christopher eds. Music Criticism in France, 1918-1939: Authority, Advocacy, Legacy, Woodbridge: Boydell Press, pp. 193-218. (10.1017/9781787442573.009) |
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Rae, Caroline 2018. From a foreign Correspondent: the Parisian Chronicles of Alejo Carpentier. In: Kelly, Barbara L and Moore, Christopher eds. Music criticism in France, 1918-1939: Authority, advocacy, legacy, Woodbridge: Boydell, pp. 193-217. |
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Rae, Caroline 2018. Marius-François Gaillard et ses enregistrements de Debussy: exécution, style et esthétique pianistique. Presented at: Colloque international Claude Debussy, Université de Lorraine, Cité Musicale, Metz, 25-26 September 2018. |
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Rae, Caroline 2018. Marius-François Gaillard’s Debussy: Controversies and pianistic legacy. In: de Médicis, François and Huebner, Steven eds. Debussy's Resonance, Eastman Studies in Music, Rochester, NY: University of Rochester Press, pp. 562-580. |
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Rowden, Clair 2018. Reinventing 'Carmen'. Opera 69 (2) , pp. 139-144. |
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Rowden, Clair
2018.
Deferent daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869.
Cambridge Opera Journal
30
(2-3)
, pp. 237-258.
10.1017/S0954586719000089
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Rowden, Clair and Langham Smith, Richard 2018. Carmen abroad: The when and where of Carmen performances, 1875-1945. [Online]. Cardiff University. Available at: http://www.carmenabroad.org/ |
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Sierra, Arlene Elizabeth
2018.
Bobolink from Birds and Insects, Book 2.
[Score].
|
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Stark, Alicia
2018.
Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Wilson, Charles 2018. Times like the present: de-limiting music in the twenty-first century. In: Heile, Björn and Wilson, Charles eds. The Routledge Research Companion to Modernism in Music, Abingdon and New York: Routledge, pp. 258-286. (10.4324/9781315613291-12) |
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Niccolai, Michela and Rowden, Clair, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols. |
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Jones, Nicholas, ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900, Cambridge: Cambridge University Press. 10.1017/9781316662519 |
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Beard, David 2017. Listening to the river's roar: stance, texture and space in the concertos. In: Charlton, David ed. The Music of Simon Holt, Suffolk: Boydell & Brewer, pp. 194-231. (10.1017/9781787440692.012) |
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Beard, David Jason and Birtwistle, Harrison 2017. Deep Time [Composer note]. Boosey & Hawkes. |
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Bickerton, Daniel
2017.
Mad About ThaT.
|
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Bickerton, Daniel
2017.
The pitch within.
|
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Bickerton, Daniel
2017.
Sea of Stone [Tyne Cot Sketches: II].
[Score].
|
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Bickerton, Daniel and Allen, Paul 2017. Cardiff - Capital city of Wales. . Cardiff: Cardiff University. Available at: https://www.youtube.com/watch?v=UqicqIMGGpI |
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Carr, James, Power, Martin and Millar, Stephen 2017. More than a game: football, politics and popular culture. Brainstorm |
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Chapin, Keith 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. In: Eisen, Cliff and Davison, Alan eds. Late Eighteenth-Century Music and Visual Culture, Music and Visual Cultures, Turnhout: Brepols, |
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Čurda, Martin
2017.
Analytical and hermeneutical perspectives on the music of Pavel Haas.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Faria Gomes, Pedro
2017.
Evening.
[Score].
|
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Fokkens, Rob
2017.
A darkness insinuating: for chamber orchestra.
|
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Fokkens, Robert
2017.
Capriccio Variations.
|
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Hamilton, Kenneth 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ. |
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Hamilton, Kenneth 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153. |
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Hill, Sarah 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4 |
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Hill, Sarah 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air, Université de Rouen, France, Mar 2017. |
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Hill, Sarah 2017. Celtic music in Wales. In: Horn, David, Shepherd, John and Prato, Paolo eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, London: Bloomsbury, |
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Hill, Sarah 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1) , pp. 113-114. 10.1080/17541328.2017.1310438 |
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Hill, Sarah 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture, San Francisco, CA, USA, 27-29 July 2017. |
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Hill, Sarah 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference, Liverpool, UK, 7-9 September 2017. |
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Hill, Sarah 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen eds. Defining the Discographic Self: Desert Island Discs in Context, Proceedings of the British Academy, Oxford: Oxford University Press, pp. 189-212. |
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Hill, Sarah, O'Connell, Joseph and Thomas, Isabel 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage, Siena , Italy, 25-28 May 2017. |
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Howell, Julia
2017.
The memory of music and music of memory: A portfolio of original compositions.
PhD Thesis,
Cardiff University.
![]() Item availability restricted. |
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Jones, David Wyn 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. Händel-Jahrbuch, Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86. |
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Jones, Nicholas 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017. |
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Jones, Nicholas 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017. |
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Laghi, Simone
2017.
Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).
PhD Thesis,
Cardiff University.
Item availability restricted. |
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O'Connell, John 2017. Concert platform: a space for a style in Turkish music. In: Spinetti, Federico and Frishkopf, Michael eds. Music, Sound, and Architecture in Islam, University of Texas Press, pp. 79-109. |
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O'Connell, John 2017. Kâr-ı Nev: elaboration and retardation in the musical performances of a Turkish classic. In: Harris, Rachel and Stokes, Martin eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright, SOAS Musicology Series, Abingdon and New York: Routledge, pp. 125-145. |
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O'Connell, John Morgan 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East, Munster, Germany, 27-28 February 2014. Published in: Helvacı, Zeynep, Olley, Jacob and Jäger, Ralf Martin eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag, pp. 247-276. |
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O'Connell, John Morgan 2017. A concert platform: a space for a style in Turkish music. In: Frishkopf, Michael and Spinetti, Federico eds. Music, Sound, and Architecture in Islam, Austin, TX: University of Texas Press, pp. 59-84. |
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O'Connell, John Morgan 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books. |
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Palidda, Alessandra
2017.
Milan 1790-1802:
Music, society and politics in the city of many regimes.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Rae, Caroline 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend, Barbican Centre and Guildhall School of Music and Drama, London, 20-21 October 2017. |
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Rowden, Clair 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, Anne, Broman-Kananen, Ulla-Britta and Hesselager, Jens eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries, DocMus Research Publications, Helsinki: Sibelius Academy, pp. 43-82. |
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Rowden, Clair 2017. 'Du grand au petit': Faust on Parisian stages in 1869. In: Niccolai, Michela and Rowden, Clair eds. Musical Theatre in Europe 1830-1945, Speculum Musicae, Turnhout: Brepols, |
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Rowden, Clair and Niccolai, Michela 2017. Introduction. In: Rowden, Clair and Niccolai, Michela eds. Musical Theatre in Europe 1830-1945, Brepols, |
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Sierra, Arlene
2017.
Nature symphony.
[Score].
|
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Villepastour, Amanda 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. In: Kenney, Elizabeth T, Salenius, Sirpa and Womack Smith, Whitney eds. Race and Transatlantic Identities, Routledge, pp. 56-75. |
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Villepastour, Amanda 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance. In: Post, Jennifer C. ed. Ethnomusicology: A Contemporary Reader, Volume II, Vol. 2. Abingdon and New York: Routledge, |
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Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta. Music Works NYC. |
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Villepastour, Amanda and Bran, Luis 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD]. 15 July 2017. ID number: CD MW001. |
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Barlow, Rachelle Louise 2016. Land of my mothers? Clara Novello Davies as 'Mam' and musician. In: Hartmann, Martha Joy Rose and Ross, Lynda eds. Music and Motherhood, Demeter Press, |
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Beard, David Jason and Gloag, Kenneth 2016. Musicology: the key concepts. 2nd edition. Routledge. |
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Bickerton, Daniel
2016.
#CONNECT.
|
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Bickerton, Daniel
2016.
Even though it's breaking, imagine!
[Score].
|
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Cenciarelli, Carlo 2016. The limits of operatic deadness. Cambridge Opera Journal 28 (2) , pp. 221-226. 10.1017/S0954586716000276 |
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Chapin, Keith 2016. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.By Wye Jamison Allanbrook [Book Review]. Music and Letters 97 (1) , pp. 165-167. 10.1093/ml/gcv111 |
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Cox, Owen
2016.
The interpretation of unusual dynamic markings in Beethoven’s string quartet in Bb Major, Op. 130: a study of selected twentieth-century recordings.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Faria Gomes, Pedro
2016.
ELA.
[Score].
|
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Faria Gomes, Pedro
2016.
Pinguins.
[Score].
|
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Fokkens, Rob
2016.
On quietude and dancing.
|
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Fokkens, Robert
2016.
Reaching, falling.
|
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Fokkens, Robert
2016.
Two songs.
|
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Gardner, Cameron 2016. (Re-)Theorising Schubert's 'Reliquie': precedents, the 'Great' Symphony, and narrative. In: Bryne Bodley, Lorraine and Horton, Julian eds. Rethinking Schubert, New York: Oxford University Press, pp. 147-172. |
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Hamilton, Kenneth 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016. |
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Hill, Sarah 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock, University of Edinburgh, May 2016. |
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Hill, Sarah 2016. San Francisco and the long 60s. London: Bloomsbury Academic. |
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Hughes, Gareth Olubunmi
2016.
A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Jones, David Wyn 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press. |
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Jones, Nicholas and Warnaby, John 2016. Davies, Peter Maxwell. Oxford Music Online, Oxford: Oxford University Press, |
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Leech, Peter 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD]. 2016. ID number: TOCC 0300. |
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Leech, Peter 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , 1, 11-12. |
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Leech, Peter 2016. Richard Dering, Motets and Anthems, Ed.by Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2) , pp. 329-332. 10.1093/ml/gcw039 |
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Leech, Peter and Whitehead, Maurice 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1) , pp. 123-148. |
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Llewelyn-Jones, Iwan
2016.
Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Millar, Stephen 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1) |
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Millar, Stephen R.
2016.
Irish Republican music and (post)colonial schizophrenia.
Popular Music and Society
40
(1)
, pp. 75-88.
10.1080/03007766.2016.1229098
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Millar, Stephen R. 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3) , pp. 297-319. 10.1017/S0261143016000519 |
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O'Connell, Joseph 2016. 'Practical Dreamers': Red wedge and the British State. Presented at: Music, Political Activism and the State, University of Southampton, 13 April 2016. -. |
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Palidda, Alessandra 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825). In: Jardin, Etienne ed. Music and War in Europe from the French Revolution to WWI, Brepols, pp. 105-120. |
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Rae, Caroline 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC), University of Surrey, 18-23 March 2016. |
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Rae, Caroline 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium, Cardiff University, Cardiff, UK, 28 January 2016. |
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Rae, Caroline 2016. Henri Dutilleux and the power of enchantment. BBC Proms 2016: The Official Guide, BBC Proms Guides, London: BBC, pp. 54-57. |
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Rae, Caroline 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II), Royal Northern College of Music, Manchester, UK, 23-24 November 2016. |
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Rowden, Clair 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2) , pp. 355-356. 10.1093/ml/gcw024 |
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Sierra, Arlene Elizabeth
2016.
Ritual in transfigured time.
[Score].
|
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Jones, David Wyn, ed. 2015. Haydn. The Late Eighteenth-Century Composers, Surrey: Ashgate. |
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Villepastour, Amanda, ed. 2015. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. University Press of Mississippi. |
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Beard, David Jason, Gloag, Kenneth and Jones, Nicholas, eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies, Cambridge: Cambridge University Press. |
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Ayangbekun, Kawoleyin and Villepastour, Amanda 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 51-73. |
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Barlow, Rachelle Louise
2015.
The 'Land of Song': gender and identity in Welsh choral music, 1872-1918.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Beard, David 2015. 'The life of my music': What the sketches tell us. In: Beard, David, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 120-174. (10.1017/CBO9781316145326.007) |
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Beard, David Jason 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. Harrison Birtwistle Studies, Cambridge Composer Series, Cambridge: Cambridge University Press, pp. 304-309. |
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Bickerton, Daniel
2015.
Ballad.
|
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Bickerton, Daniel
2015.
Eclipse.
Edited by Davis, Alexander.
|
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Bickerton, Daniel
2015.
Invictus.
|
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Bickerton, Daniel
2015.
Textbook.
|
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Bickerton, Daniel
2015.
Two mourning angels [Tyne Cot Sketches: I].
|
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Bickerton, Daniel
2015.
Weather By Funk.
|
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Cenciarelli, Carlo 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, Delphine ed. Verdi on Screen, Lausanne: L'Age d'Homme, pp. 251-267. |
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Chapin, Keith 2015. Antoine Reicha and the three identities of the learned musician. In: Raymond, Louise Bernard de, Bartoli, Jean-Pierre and Schneider, Herbert eds. Antoine Reicha, compositeur et theoricien: Actes du colloque international tenu à Paris du 18 au 20 avril 2013, George Olms Verlag, pp. 109-118. |
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Chapin, Keith 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. In: Hachie, Sophie and Favier, Thierry eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles), Paris: Classiques Garnier, pp. 165-185. |
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Faria Gomes, Pedro
2015.
Canções do Quadrante.
[Score].
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Fokkens, Rob
2015.
The Application.
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Fokkens, Rob
2015.
Hoerikwaggo.
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Gloag, Kenneth 2015. 'A thing of the past': Canon formation and the postmodern condition. In: Kurkela, Vesa and Mantere, Markus eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions, Aldershot: Ashgate, pp. 227-237. |
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Gloag, Kenneth 2015. Birtwistle's eloquently gestural music. In: Beard, David Jason, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 95-119. |
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Goodall, Kay, Hopkins, Peter, McKerrell, Simon, Markey, John, Millar, Stephen R., Richardson, John and Richardson, Michael J. 2015. Community experiences of sectarianism. [Project Report]. London: Scottish Government Social Research. Available at: https://www.gov.scot/Resource/0047/00470344.pdf |
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Goodall, Kay, McKerrell, Simon, Markey, John, Millar, Stephen R. and Richardson, Michael J.
2015.
Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb?
Scottish Affairs
24
(3)
, pp. 288-307.
10.3366/scot.2015.0079
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Hamilton, Kenneth 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015. |
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Hill, Sarah 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders, Sellis Benney Theatre, Brighton, UK, 17 Oct 2015. |
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Jones, David Wyn 2015. Introduction. In: Jones, David Wyn ed. Haydn, The Late Eighteenth-Century Composers, Surrey: Ashgate, xi-xxv. |
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Jones, David Wyn 2015. Mozart's spirit from Seyfried's hands. In: Keefe, Simon P. ed. Mozart Studies 2, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 195-228. (10.1017/CBO9781107360051.009) |
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Jones, Nicholas 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015. |
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Jones, Nicholas 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, David, Gloag, Kenneth and Jones, Nicholas eds. Harrison Birtwistle Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 175-205. |
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Leech, Peter 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp. 51-73. |
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Millar, Stephen R. 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1) |
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Millar, Stephen R. 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1) 10.3998/mp.9460447.0009.102 |
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Moore, Rachel 2015. Coles, Cecil Frederick Gottlie (1888–1918). Oxford Dictionary of National Biography, Oxford University Press, (10.1093/ref:odnb/76798) |
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O'Connell, John Morgan 2015. The classical style: modal analysis of vocal improvisation in Turkey. In: Agayeva, Suraya ed. Space of Maugham, Şerq-Qerb, pp. 124-139. |
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O'Connell, John Morgan 2015. Music and humanism in the Aga Khan Humanities Project. In: Pettan, Svanibor and Titon, Jeff Todd eds. The Oxford Handbook of Applied Ethnomusicology, Oxford Handbooks, Oxford University Press, pp. 602-638. |
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O'Connell, John Morgan 2015. Modal trails, model trials: Musical migrants and mystical critics in Turkey. In: Davis, Ruth ed. Musical Exodus: Al-Andalus and its Jewish Diasporas, Europea: Ethnomusicologies and Modernities, Lanham, MD: Rowman & Littlefield Publishers, pp. 101-124. |
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O'Connell, John Morgan 2015. Gazel. In: Jankowsky, Richard C. ed. Bloomsbury Encyclopedia of Popular Music of the World, Vol. 10. Encyclopedia of Popular Music of the World, Bloomsbury Academic, pp. 35-37. |
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O'Connell, John Morgan 2015. Iranian classical music: the discourse and practice of creativity. By Laudan Nooshin [Book Review]. Music and Letters 96 (4) , pp. 677-679. 10.1093/ml/gcv080 |
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Ponsford, David Stewart 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]. French Organ Music from the Golden Age. Volume 4 2015. ID number: NI6292. |
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Ponsford, David Stewart 2015. Instrumental performance in the seventeenth century. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, Cambridge University Press, pp. 421-447. |
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Ross, Jaqueline and Ponsford, David Stewart 2015. Johann Sebastian Bach Violin Sonatas. [CD]. 2015. ID number: GAU 228. |
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Rowden, Clair 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme. |
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Rowden, Clair Sophie 2015. Loie Fuller and Salome: The unveiling of a myth. In: Lee, Hyunseon and Segal, Naomi eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110. |
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Sierra, Arlene Elizabeth
2015.
Birds and insects, Book 2.
[Score].
|
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Villepastour, Amanda 2015. Introduction: Asoro Igi (Wood That Talks). In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 3-32. |
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Villepastour, Amanda 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. In: Harris, Rachel and Pease, Rowan eds. Pieces of the Musical World: Sounds and Cultures, Routledge, pp. 169-188. |
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Villepastour, Amanda 2015. Anthropomorphizing Ayan in transatlantic gender narratives. In: Villepastour, Amanda ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks, University Press of Mississippi, pp. 125-146. |
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Rae, Caroline and Potter, Caroline, eds. 2014. City of Light: Paris 1900-1950. London: Philharmonia Orchestra, Philharmonia Limited. |
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Bickerton, Daniel
2014.
The Cause.
|
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Bickerton, Daniel
2014.
Evening Dew.
|
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Bickerton, Daniel
2014.
Inward Thinking.
|
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Bickerton, Daniel
2014.
Let's Do It Again.
|
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Bickerton, Daniel
2014.
Redux Shone Through Time.
|
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Bizet, George
2014.
Carmen.
[Musical Score: Vocal Score].
Edited by Langham Smith, R. and Rowden, Clair Sophie.
|
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Cenciarelli, Carlo 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012. Published in: Fornoni, Federico ed. Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti, |
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Chapin, Keith 2014. Temporal modes and symbolic stakes: strict composition in early Nineteenth-Century Europe. Musurgia 21 (1) , pp. 29-41. 10.3917/musur.141.0029 |
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Chapin, Keith 2014. Classicism/neo-classicism. In: Downes, Stephen ed. Aesthetics of Music: Musicological Perspectives, Abingdon and New York: Routledge, pp. 144-169. |
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Chapin, Keith 2014. Learned style and learned styles. In: Mirka, Danuta ed. The Oxford Handbook of Topic Theory, Oxford Handbooks Online, Oxford University Press, (10.1093/oxfordhb/9780199841578.013.0012) |
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Devaux, Vanessa
2014.
Joseph Mayseder (1789-1863):
A Viennese violinist and composer.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Faria Gomes, Pedro 2014. Creating harmonic functionality in post-tonal music: a composer's perspective. Royal College of Music. |
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Faria Gomes, Pedro 2014. Function and meaning: the influence of Kundera's 'Ignorance' on 'Returning' for violin, clarinet and piano. Presented at: Music Literature, Historiography and Aesthetics, Institute of Musical Research, London, UK, 17-18 July 2014. |
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Faria Gomes, Pedro
2014.
How beastly the bourgeois is.
[Score].
|
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Fokkens, Robert
2014.
Worry/Don't Worry.
[Performances and Published score].
|
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Fokkens, Robert
2014.
Mzansi nights.
[Performance AND Published score].
|
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Gloag, Kenneth 2014. Jazz-avant-garde-tradition. In: Downes, Stephen ed. Aesthetics of Music: Musicological Perspectives, London: Routledge, pp. 188-202. |
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Hamilton, Kenneth 2014. "Nach persönlichen Erinnerungen": Liszt's long-ignored legacy to his students. In: Deaville, James and Saffle, Michael eds. Liszt's Legacies, Franz Liszt Studies, Hillsdale, NY: Pendragon Press, pp. 83-96. |
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Hill, Sarah 2014. Psychedelic aesthetic and progressive impulse: A Tale of Two Cities. Presented at: First International Conference of the ACADPROG Network, Dijon, France, 10-12 December 2014. |
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Kostka, Magdalena
2014.
Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Moore, Rachel 2014. 'A ne pas ouvrir pendant la guerre': l'union sacrée et la mobilisation de l'édition musicale, 1914-1918. In: de Maindreville, Florence Doé and Etcharry, Stéphan eds. La Grande Guerre en musique: Vie et création musicales en France pendant la Première Guerre mondiale, Peter Lang, |
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O'Connell, Joseph
2014.
'Better Decide Which Side You're On': Authenticity, politics and post-punk in Thatcherite Britain.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Pluta, Agnieszka
2014.
The pianism of Paderewski.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Ponsford, David Stewart 2014. Andre Raison & Louis-Nicolas Clerambault. [CD]. 2014. ID number: NI 6268. |
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Rae, Caroline 2014. The magic of timbre: French orchestral sound. In: Rae, Caroline and Potter, Caroline eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 23-26. |
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Rae, Caroline 2014. BBC Symphony Orchestra rehearsal performance of Ravel's Bolero, conducted by Lionel Bringuier, with commentary by Dr Caroline Rae. [Film video]. London: BBC Radio 3. Available at: https://www.bbc.co.uk/programmes/p01t693d |
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Rae, Caroline 2014. Dr. Caroline Rae discusses the War of the Romantics. [Website (BBC Radio 3)]. BBC iWonder Guide-Brahms: BBC. Available at: https://www.bbc.co.uk/programmes/p0282nxf |
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Rae, Caroline and Potter, Caroline 2014. City of light: the French musical milieu. In: Rae, Caroline and Potter, Caroline eds. City of Light: Paris 1900-1950 Festival Programme Book, London: Philharmonia Orchestra, pp. 12-19. |
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Rowden, Clair Sophie 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. In: Branger, Jean-Christophe and Giroud, Vincent eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64. |
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Rowden, Clair Sophie 2014. The other 'Salome'. Opera , pp. 1234-1241. |
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Rowden, Clair Sophie 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera. |
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Rowden, Clair Sophie 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025 |
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Rowden, Clair Sophie 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049 |
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Sierra, Arlene
2014.
Urban birds.
[Score].
|
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Villepastour, Amanda 2014. Afro-Cuban music: a bibliographic guide by John Gray [Book Review]. Latin American Music Review 35 (2) , pp. 315-318. |
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Villepastour, Amanda 2014. Talking tones and singing speech among the Yorùbá of Southwest Nigeria. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 44 , pp. 29-47. |
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Rowden, Clair Sophie, Axon, Louise and Varvir Coe, Megan, eds. 2013. Salome. [Online]. Francophone Music Criticism 1789-1914. Available at: http://music.sas.ac.uk/fmc |
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Gloag, Kenneth and Jones, Nicholas, eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music, Cambridge: Cambridge University Press. |
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Chapin, Keith and Clark, Andrew H., eds. 2013. Speaking of music: addressing the sonorous. Bronx, NY: Fordham University Press. |
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Rowden, Clair Sophie, ed. 2013. Performing Salome, revealing stories. Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate. |
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Beard, David Jason 2013. An introduction to Harrison Birtwistle's music. [Online]. London: Boosey and Hawkes. Available at: http://www.boosey.com/pages/cr/composer/composer_m... |
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Beard, David Jason 2013. 'The Minotaur' in context [Programme Essay]. The Minotaur, London: Royal Opera House, pp. 32-38. |
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Beard, David Jason 2013. Zurück in Die Zukunft: Gawain. Salzburg: Salzburg Festival. |
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Beard, David Jason 2013. The silk house tattoo [Programme Note for London Sinfonietta]. Arconis International Brass Event: Brass Without Boundaries, Cardiff: St. David's Hall, n/a. |
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Bickerton, Daniel
2013.
Caution.
|
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Bickerton, Daniel
2013.
Firmly Grounded.
|
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Bickerton, Daniel
2013.
The Panther of Lugash.
|
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Bickerton, Daniel
2013.
Stand Up.
|
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Bickerton, Daniel
2013.
Unintentional Art of Glass.
|
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Bizet, George
2013.
Carmen.
[Musical Score].
Edited by Langham Smith, R. and Rowden, Clair Sophie.
|
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Cenciarelli, Carlo 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94 (1) , pp. 119-137. 10.1093/ml/gct038 |
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Cenciarelli, Carlo 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25 (2) , pp. 203-223. 10.1017/S0954586713000074 |
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Chapin, Keith 2013. Le contrepoint et ses logiques tonales au tournant du dix-neuvième siècle. In: Gonnard, Henri ed. Regards sur la tonalité / Perspectives on Tonality, Sampzon: Editions Delatour, pp. 197-210. |
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Chapin, Keith 2013. Bach's silence, Mattheson's words: professional and humanist ways of speaking of music. In: Chapin, Keith and Clark, Andrew H. eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press, pp. 74-111. |
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Chapin, Keith and Clark, Andrew H. 2013. Speaking of music: a view across disciplines and a lexicon of topoi. In: Chapin, Keith and Clark, Andrew H. eds. Speaking of Music: Addressing the Sonorous, New York: Fordham University Press, |
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Crown, Helen
2013.
Lewis Granom: His significance for the flute in the eighteenth century.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Faria Gomes, Pedro
2013.
Tereza's dreams.
[Score].
|
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Faria Gomes, Pedro 2013. Approaches to composition. Presented at: Research Training for Doctoral Students, Royal College of Music, London, UK, 23 January 2013. |
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Hall, Matthew
2013.
Portfolio of original compositions.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Hamilton, Kenneth 2013. The embarrassment of influence: Liszt, Paris and posterity. In: Haine, Malou, Dufetel, Nicolas, Gooley, Diana and Kregor, Jonathan eds. Liszt et La France: Musique, culture et société dans l'Europe du XIXe siècle, Musicologies, Paris: Editions Vrin, pp. 59-79. |
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Hill, Sarah 2013. Choreographing 'In C'. Presented at: Left Coast Minimalism: 4th International Conference on Minimalist Music, Long Beach, CA, 3-6 October 2013. |
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Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013. |
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Hill, Sarah 2013. The Heritage of failure: marginal Welsh Pop in the capital city. Presented at: Bridge Over Troubled Waters: Challenging Orthodoxies: 17th IASPM International Conference, Oviedo, Spain, 24-28 June 2013. |
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Hill, Sarah 2013. Book Review. Alice Echols, hot stuff: disco and the remaking of American culture. Popular Music 32 (1) , pp. 133-135. 10.1017/S0261143012000657 |
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Hill, Sarah 2013. "This is my country": American popular music and political engagement in 1968. In: Kutschke, Beate and Norton, Barley eds. Music and Protest in 1968, Music since 1900, Cambridge: Cambridge University Press, pp. 46-63. |
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Hill, Sarah 2013. Ending it all: Genesis and revelation. Popular Music 32 (2) , pp. 197-221. 10.1017/S0261143013000044 |
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Hill, Sarah 2013. The heritage of failure: Marginal Welsh pop in the capital city. Presented at: IASPM 17th Biennial Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Oviedo, Spain, 24-28 June 2013. |
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Hill, Sarah 2013. Choreographing In C. Presented at: 4th International Conference on Music and Minimalism, Long Beach, CA, USA, 3-6 October 2013. |
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Hill, Sarah 2013. Desert Island Discs, Beti a'i Phobol, and Britishness. Presented at: Desert Island Discs and the Discographic Self, London, UK, 5-6 November 2013. |
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Jones, David Wyn 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, Richard and Jones, David Wyn eds. The Land of Opportunity: Joseph Haydn and Britain, London: British Library, pp. 1-21. |
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Jones, Nicholas 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013. |
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Jones, Nicholas 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. The Cambridge Companion to Michael Tippett, Cambridge: Cambridge University Press, pp. 206-228. |
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Machin-Autenrieth, Matthew
2013.
Andalucía flamenca: Music, regionalism and identity in southern Spain.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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O'Connell, John Morgan 2013. Beste. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 52-53. (10.1163/1573-3912_ei3_COM_24017) |
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O'Connell, John Morgan 2013. Pir Sultan Abdal. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 135-136. (10.1163/1573-3912_ei3_COM_23910) |
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O'Connell, John Morgan 2013. Alaturka: Style in Turkish music (1923-1938). SOAS Musicology Series, Aldershot: Ashgate. |
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Ponsford, David Stewart 2013. Francois Couperin & Marc-Antoine Charpentier. [CD]. 2013. ID number: NI 6225. |
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Ponsford, David Stewart 2013. Francois Couperin & Pierre Du Mage. [CD]. 2013. ID number: NI 6213. |
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Rae, Caroline 2013. Dutilleux and Lutosławski: Franco-Polish connections. In: Mantzourani, Eva ed. Polish Music since 1945, Krakow: Musica Iagellonica, pp. 147-162. |
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Rae, Caroline 2013. Messiaen and Ohana: parallel preoccupations or anxiety of influence? In: Dingle, Christopher and Fallon, Robert eds. Messiaen perspectives 2: Techniques, influence and reception, Farnham: Ashgate, pp. 153-174. |
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Rae, Caroline 2013. Messiaen and the romantic gesture: Contemplations on his piano music and pianism. In: Dingle, Christopher and Fallon, Robert eds. Messiaen perspectives 1: Sources and influences, Farnham: Ashgate, pp. 235-256. |
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Rowden, Clair Sophie 2013. Choral music and music making in France. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212. |
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Rowden, Clair Sophie 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7. |
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Rowden, Clair Sophie 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049 |
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Rowden, Clair Sophie 2013. Introduction. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14. |
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Rowden, Clair Sophie 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98. |
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Sierra, Arlene Elizabeth
2013.
Avian mirrors.
[Score].
|
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Sierra, Arlene Elizabeth
2013.
Butterflies remember a mountain.
[Score].
|
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Sierra, Arlene Elizabeth
2013.
Cuatro Corridos: Dalia.
[Score].
|
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Stowell, Robin 2013. The contribution of Geminiani's 'The art of playing on the violin' to "The improved state of the violin in England". In: Hogwood, Christopher ed. Geminiani Studies, Ad Parnassum Studies, Bologna: Ut Orpheus Edizioni, pp. 257-300. |
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Villepastour, Amanda 2013. Amelia Pedroso: The voice of a Cuban priestess leading from the inside. In: Hellier, Ruth ed. Women Singers in Global Contexts: Music, Biography, Identity, Urbana, IL: University of Illinois Press, pp. 54-72. |
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Walsh, Stephen 2013. Remembering 'The Rite of Spring' or "Ce que je n'ai pas voulu exprimer dans Le sacre du printemps". In: Danuser, Hermann and Zimmermann, Heidy eds. Avatar of Modernity : The Rite of Spring Reconsidered, Basel: Paul Sacher Stiftung, pp. 155-173. |
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Walsh, Stephen 2013. Musorgsky and His Circle. London: Faber & Faber. |
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Williams, Jeremy Huw
2013.
Serialism, modality and poetic rhetoric in Alun Hoddinott’s Five Poems of Gustavo Adolfo Bécquer, Op. 152 no. 2 (1994).
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Lawson, Colin and Stowell, Robin, eds. 2012. The Cambridge history of musical performance. The Cambridge History of Music, Cambridge: Cambridge University Press. |
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Cowgill, Rachel and Poriss, Hilary, eds. 2012. The arts of the prima donna in the long nineteenth century. New York: Oxford University Press. |
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Beard, David Jason 2012. Harrison Birtwistle's operas and music theatre. Music Since 1900, Cambridge: Cambridge University Press. |
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Bickerton, Daniel
2012.
Blaenwern.
|
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Bickerton, Daniel
2012.
Garuda.
|
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Bickerton, Daniel
2012.
Save Our Chariots.
|
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Bickerton, Daniel
2012.
Three Children's pieces.
|
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Cenciarelli, Carlo 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137 (1) , pp. 107-134. 10.1080/02690403.2012.669929 |
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Cowgill, Rachel 2012. 'Attitudes with a shawl': performance, femininity, and spectatorship at the Italian opera in early nineteenth-century London. In: Cowgill, Rachel and Poriss, Hilary eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, pp. 217-251. |
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Cowgill, Rachel 2012. Performance alfresco: Music-making in English pleasure gardens. In: Conlin, Jonathan ed. The Pleasure Garden: From Vauxhall to Coney Island, Penn Studies in Landscape Architecture, Philadephia, PA: University of Pennsylvania Press, pp. 100-126. |
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Cowgill, Rachel and Poriss, Hilary 2012. Introduction. In: Cowgill, Rachel and Poriss, Hilary eds. The Arts of the Prima Donna in the Long Nineteenth Century, New York: Oxford University Press, xxvii-xlvi. |
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Faria Gomes, Pedro
2012.
Contraluz.
[Score].
|
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Faria Gomes, Pedro
2012.
Dual.
[Score].
|
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Faria Gomes, Pedro
2012.
Memória.
[Score].
|
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Faria Gomes, Pedro
2012.
Toys and Games.
[Score].
|
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Fokkens, Robert
2012.
"Flytrap" for SSA vocal trio.
[Score (hard copy, PDF and Sibelius files) and performances].
|
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Fokkens, Robert
2012.
Pentecost for soprano, baritone and recorders.
[Score].
|
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Gloag, Kenneth 2012. Postmodernism in music. Cambridge Introductions to Music, Cambridge: Cambridge University Press. |
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Hamilton, Kenneth 2012. Os alunos de Liszt tocando Liszt - o que nos dizem gravações históricas [A Dance around Liszt's Totentanz]. Presented at: GuimaraMUS – Congresso Musical de Guimarães, Guimarães, Portugal, 23-25 March 2012. |
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Hamilton, Kenneth 2012. The sufferings and greatness of Franz Liszt. In: Saffle, M., Tibbetts, J. C. and McKinney, C. eds. Liszt: A Chorus of Voices, Franz Liszt Studies, vol. 13. Hillsdale, NY: Pendragon Press, pp. 141-149. |
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Hill, Sarah 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies, Aberystwyth, UK, February 2012. |
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Hill, Sarah 2012. Minority language, majority canon. Popular Music History 7 (3) , pp. 283-300. |
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Hill, Sarah 2012. A Night at the Avalon. Presented at: Imagining Communities Musically: Putting Popular Music in its Place: IASPM-UK/Ireland Conference, Salford, UK, 5-7 September 2012. |
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Hill, Sarah 2012. A night at the Avalon. Presented at: Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place, Salford, Manchester, UK, 5-7 September 2012. |
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Hill, Sarah Susan 2012. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In: Drewett, Michael, Hill, Sarah Susan and Kärki, Kimi eds. Peter Gabriel: From Genesis to Growing Up, Ashgate Popular and Folk Music Series, Farnham: Ashgate, pp. 15-30. |
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Holden, Claire 2012. Recreating early 19th- century style in a 21st-century marketplace: An orchestral violinist’s perspective. Presented at: Institute of Musical Research DeNote Seminar, Senate House, London, 30 January 2012. |
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Jones, Nicholas 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012. |
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Jones, Nicholas 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012. |
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Lawson, Colin and Stowell, Robin 2012. The Future? In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 817-833. |
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Neff, Eoghan
2012.
At the vanguard of antiquity:
seeking the avant-garde of the Irish Fiddle in C20th performance practices.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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Rae, Caroline 2012. Marius-François Gaillard’s Debussy: performances and recordings – controversy and legacy. Presented at: L'héritage de Claude Debussy: du rêve pour les générations futures, Université de Montréal, Canada, 29 February - 3 March 2012. |
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Rowden, Clair Sophie 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76. |
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Rowden, Clair Sophie 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge, |
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Sierra, Arlene Elizabeth
2012.
Meditation on violence.
[Score].
|
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Sierra, Arlene Elizabeth
2012.
Moler for Symphony Orchestra.
[Score].
|
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Stowell, Robin 2012. Case study: Richard Wagner, Tristan und Isolde. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 696-722. |
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Stowell, Robin 2012. The Evidence. In: Lawson, Colin and Stowell, Robin eds. The Cambridge History of Musical Performance, The Cambridge History of Music, Cambridge: Cambridge University Press, pp. 63-104. |
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Stowell, Robin 2012. Mozart’s 'Viennese' Sonatas for Keyboard and Violin according to Ferdinand David: A survey of editorial and violin performance practices. In: Harlow, Martin ed. Mozart's Chamber Music with Keyboard, Cambridge: Cambridge University Press, pp. 69-103. |
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Villepastour, Amanda 2012. Theory of African Music by Gerhard Kubik [Book Review]. Ethnomusicology 56 (2) , pp. 334-340. 10.5406/ethnomusicology.56.2.0334 |
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Moore, Rachel and Rowden, Clair Sophie, eds. 2011. Mascagni, Cavalleria rusticana, Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html |
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Moore, Rachel and Rowden, Clair Sophie, eds. 2011. Massenet, La Navarraise. Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html |
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Barlow, Rachelle Louise 2011. Music in Welsh culture before 1650: a study of the principal sources. Ethnomusicology 55 (3) , pp. 511-516. |
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Beard, David Jason 2011. La communication des emotions et des affects vocaux et instrumentaux: L'exemple de Punch and Judy. Le point de vue du musicologue. Acto: Le journal du cercle du Grand Théâtre et du Grand Théâtre de Genève 7 , pp. 12-14. |
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Bickerton, Daniel
2011.
Delivered.
|
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Bickerton, Daniel
2011.
Ecclesiastical musings.
|
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Bickerton, Daniel
2011.
Equation.
|
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Bickerton, Daniel
2011.
This Masquerade.
|
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Caton, Anke Theresa 2011. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. PhD Thesis, Cardiff University. |
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Cenciarelli, Carlo 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night. Twentieth-Century Music 7 (2) , pp. 219-243. 10.1017/S147857221100017X |
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Chapin, Keith 2011. Counterpoint: From the bees or for the birds? Telemann and early eighteenth-century quarrels with tradition. Music and Letters 92 (3) , pp. 377-409. 10.1093/ml/gcr036 |
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Chapin, Keith 2011. 'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice. International Review of the Aesthetics and Sociology of Music (IRASM) 42 (2) , pp. 219-255. |
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Cowgill, Rachel 2011. Canonizing remembrance: Music for Armistice Day at the BBC, 1922–7. First World War Studies 2 (1) , pp. 75-107. 10.1080/19475020.2011.555499 |
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Curry, Ben John 2011. Reading conventions, interpreting habits: Peircian semiotics in music. PhD Thesis, Cardiff University. |
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Faria Gomes, Pedro
2011.
Contours.
[Score].
|
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Fokkens, Robert
2011.
Mammals of Southern Africa for piano trio.
[Score].
|
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Gloag, Kenneth 2011. 'Nicholas Maw's Breakthrough: Scenes and Arias Reconsidered. Musical Times 152 (1915) , pp. 31-57. |
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Hill, Sarah 2011. Mary Hopkin and the deep throat of culture. In: Laurie, Stras ed. She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music, Surrey: Ashgate, pp. 163-182. |
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Hill, Sarah 2011. Psychedelia and its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), Lancaster, UK, 28-31 July 2011. |
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Hill, Sarah 2011. Psychedelia and Its high other in 1960s San Francisco. Presented at: 7th International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC), University of Lancaster, UK, 28-31 July 2011. |
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Jones, David Wyn 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8 (2) , pp. 287-305. 10.1017/S147857061100008X |
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Jones, Nicholas 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92 (2) , pp. 330-332. 10.1093/ml/gcr014 |
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Leech, Peter 2011. Richard Dering, Motets for One, Two or Three Voices and Basso Continuo [Book Review]. Music & Letters 92 (2) , pp. 282-285. |
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Leech, Peter 2011. Music and musicians in the Catholic chapel of James II at Whitehall, 1686-1688. Early Music 39 (3) , pp. 379-400. 10.1093/em/car072 |
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Leech, Peter and Whitehead, Maurice 2011. 'In Paradise and among angels'. Music and musicians at St Omers English Jesuit College, 1593-1721. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 61 (1-2) , pp. 57-82. |
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Moore, Rachel, Hamer, Laura and Branger, Aurélie Hibberd, Sarah, Rowden, Clair Sophie and Everist, Mark, eds. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html |
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O'Connell, John Morgan 2011. Music in war, music for peace: A review article. Ethnomusicology 55 (1) , pp. 112-127. 10.5406/ethnomusicology.55.1.0112 |
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Ponsford, David Stewart 2011. French organ music in the reign of Louis XIV. Cambridge University Press. |
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Rae, Caroline 2011. Debussyist, Modernist, Exoticist: Marius-François Gaillard rediscovered. The Musical Times 152 (1916) , pp. 59-80. |
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Rae, Caroline 2011. From a foreign correspondent: Alejo Carpentier’s Parisian Chronicles. Presented at: Music Criticism in France in the Interwar Period (1918-1939), University of Ottawa, Canada, 4-6 November 2011. |
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Rowden, Clair Sophie 2011. Salome and modern opera: a Parisian perspective. In: Brosche, Günter, May, Jürgen, Internationale Richard Strauss-Gesellschaft, Wien and Richard Strauss-Institut, Garmisch-Partenkirchen eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext, Tutzing: Hans Schneider, pp. 163-176. |
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Rowden, Clair Sophie 2011. The End of the Fairytale [Programme note]. Cendrillon, London: Royal Opera House, pp. 12-19. |
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Sierra, Arlene Elizabeth
2011.
Scenes from Faustine.
[Score].
|
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Stowell, Robin 2011. Fantasising on Faust. Presented at: Henryk Wieniawski and the Bravura Tradition : [Proceedings of the 3rd International Musicological Conference], Poznań, Poland, 19-21 October 2009. Published in: Jabłoński, Maciej and Jasińska, Danuta eds. Henryk Wieniawski and the Bravura Tradition [Proceedings of the 3rd International Musicological Conference held in Poznań, Poland, 19-21 October 2009]. Poznan: Henryk Wieniawski Musical Society and Poznań Society for the Advancelent of the Arts and Sciences, pp. 23-45. |
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Stowell, Robin 2011. Henryk Wieniawski: "the true successor" of Nicolò Paganini? A comparative assessment of the two virtuosos with particular reference to their caprices. Presented at: Spielpraxis der Saiteninstrumente in der Romantik Bericht des Symposiums, Bern, Switzerland, 18-19 November 2006. Published in: Bacciagaluppi, Claudio, Brotbeck, Roman and Gerhard, Anselm eds. Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Symposiums in Bern, 18.–19. November 2006. Musikforschung der Hochschule der Künste Bern (HKB) , vol. 3. Schliengen: Edition Argus, pp. 70-90. |
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Stowell, Robin 2011. Semblanzas de Compositores Espanõles 29: Pablo de Sarasate (1844-1908). Revista de la Fundación Juan March (401) , pp. 2-7. |
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O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa, eds. 2010. Music and Conflict. Urbana and Chicago: University of Illinois Press. |
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Cowgill, Rachel, Cooper, David and Brown, Clive, eds. 2010. Art and ideology in European opera: Essays in honour of Julian Rushton. Woodbridge: Boydell & Brewer. |
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Drewett, Michael, Hill, Sarah and Kärki, Kimi, eds. 2010. Peter Gabriel, from Genesis to Growing Up. Ashgate Popular and Folk Music Series, Abingdon: Ashgate. |
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Beard, David Jason 2010. The shadow of opera: dramatic narrative and musical discourse in Gawain. In: Notley, Margaret ed. Opera After 1900, Vol. 6. The Ashgate Library of Essays in Opera Studies, Farnham: Ashgate, pp. 319-355. |
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Beard, David Jason 2010. "Batter the doom drum": The music for Peter Hall's 'Oresteia' and other productions of Greek tragedy by Harrison Birtwistle and Judith Weir. In: Brown, Peter and Ograjensek, Suzana eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 369-397. |
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Bickerton, Daniel
2010.
The meaning of Alex.
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Bickerton, Daniel
2010.
When The Stakes Are High.
|
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Bickerton, Daniel
2010.
Whimsical.
|
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Chapin, Keith 2010. John T. Hamilton, Music, madness and the unworking of language. New York: Columbia University Press, 2008 pp. xviii + 252, ISBN 978023142205 [Book Review]. Eighteenth-Century Music 7 (01) , pp. 114-117. 10.1017/S1478570609990510 |
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Chapin, Keith 2010. Time and the keyboard fugue. 19th-Century Music 34 (2) , pp. 186-207. 10.1525/ncm.2010.34.2.186 |
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Cowgill, Rachel 2010. New light and the man of might: revisiting early interpretations of Die Zauberflöte. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 194-221. |
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Cowgill, Rachel 2010. The works of Julian Rushton. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 385-391. |
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Cowgill, Rachel, Cooper, David and Brown, Clive 2010. Introduction. In: Cowgill, Rachel, Cooper, David and Brown, Clive eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton, Woodbridge: Boydell Press, pp. 1-10. |
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Faria Gomes, Pedro
2010.
Dual.
[Score].
|
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Faria Gomes, Pedro
2010.
Nachtmusik.
[Score].
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Faria Gomes, Pedro
2010.
Returning.
[Score].
|
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Faria Gomes, Pedro
2010.
Three Reflections from Inscriptions.
[Score].
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Hamilton, Kenneth 2010. Cara a cara con Chopin: Enfoques Interpretativos de Pianistas del Pasado [Confronting Chopin: Performance Approaches by Pianists of the Past]. Quodlibet: Rivista de especializacion Musical (47) , pp. 46-71. |
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Hill, Sarah 2010. Book Review. Mina Yang, California Polyphony. twentieth-century music 7 (1) , pp. 122-127. 10.1017/S1478572211000089 |
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Jones, David Wyn 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51 (1-2) , pp. 29-40. 10.1556/SMus.51.2010.1-2.3 |
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Jones, Nicholas 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151 (1912) , pp. 109-112. |
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Jones, Nicholas 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151 (1911) , pp. 118-120. |
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Jones, Nicholas 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7 (2) , pp. 267-270. 10.1017/S1478572211000223 |
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Jones, Nicholas and McGregor, Richard 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151 , pp. 53-86. |
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Leech, Peter 2010. George Frideric Handel Parnasso in Festa [CD Review]. Eighteenth-Century Music 7 (2) , pp. 305-309. 10.1017/S1478570610000199 |
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O'Connell, John Morgan 2010. Introduction: an ethnomusicological approach to music and conflict. In: O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa eds. Music and Conflict, Urbana: University of Illinois Press, pp. 1-14. |
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O'Connell, John Morgan 2010. Music and the play of power in the Middle East, North Africa and Central Asia. Laudan Nooshin, ed. [Book Review]. Ethnomusicology 54 (2) , pp. 347-351. 10.5406/ethnomusicology.54.2.0347 |
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O'Connell, John Morgan 2010. Music in war. In: O'Connell, John Morgan and El-Shawan Castelo-Branco, Salwa eds. Music and Conflict, University of Illinois Press, pp. 15-16. |
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O'Connell, John Morgan 2010. A staged fright: Musical hybridity and religious intolerance in Turkey, 1923-38. twentieth-century music 7 (1) , pp. 3-28. 10.1017/S147857221100003X |
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O'Connell, John Morgan 2010. Alabanda: Brass bands and musical methods in Turkey. In: Spinetti, Federico ed. Giuseppe Donizetti Pasha: Musical and Historical Trajectories between Italy and Turkey [Giuseppe Donizetti Pascià: Traiettorie Musicali e Storiche tra Italia e Turchia], Saggi e Monografie, vol. 7. Bergamo, Italy: Fondazione Donizetti, pp. 19-37. |
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Paterson, Alexis 2010. The minimal kaleidoscope: exploring minimal music through the lens of postmodernity. PhD Thesis, Cardiff University. |
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Potter, Caroline and Rae, Caroline 2010. Dutilleux at 95: Preface. Contemporary Music Review 29 (5) , pp. 429-430. 10.1080/07494467.2010.589122 |
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Rae, Caroline 2010. Beyond boundaries: Dutilleux's foreign leavening. Contemporary Music Review 29 (5) , pp. 431-446. 10.1080/07494467.2010.589123 |
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Rowden, Clair Sophie 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657 |
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Rowden, Clair Sophie 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031 |
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Rowden, Clair Sophie 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. In: Branger, Jean-Christophe ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259. |
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Rowden, Clair Sophie 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31. |
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Rowden, Clair Sophie 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34. |
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Rowden, Clair Sophie 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36. |
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Sierra, Arlene Elizabeth
2010.
Art of war: Concerto for piano and orchestra.
[Score].
|
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Sierra, Arlene Elizabeth
2010.
Insects in amber for string quartet.
[Score].
|
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Stowell, Robin 2010. The Diabolus in Musica and Paganini Redivivus phenomena, with some thoughts on their relevance to the "German Paganini" [August Wilhelm (1845-1908)]. In: Barizza, A. and Morabito, F. eds. Nicolò Paganini: Diabolus in Musica, Studies on Italian Music History, vol. 5. Turnhout: Brepols, pp. 3-22. |
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Villepastour, Amanda 2010. Ancient text messages of the Yorùbá bàtá drum : cracking the code. SOAS Musicology Series, Farnham: Ashgate. |
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Walsh, Stephen 2010. Stravinsky, Boulez and the politics of the aviary. In: Dulova, Y. ed. Modern Musicology in the World of Science: Scientific Articles of Belarusian State Academy of Music, Naučnye trudy Belorusskoj Akademii Muzyki, vol. 23. Minsk: Ministry of Culture of the Republic of Belorus, pp. 192-203. |
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Walsh, Stephen 2010. The action drama and the still life: Enescu, Stravinsky, and Oedipus. In: Brown, Peter and Ograjenšek, Suzana eds. Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press, pp. 305-319. |
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White, Christopher Jack 2010. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University. |
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Jones, David Wyn, ed. 2009. Oxford Composer Companions: Haydn. Oxford Companions, Oxford: Oxford University Press. |
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Gloag, Kenneth and Jones, Nicholas, eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies, Cambridge: Cambridge University Press. |
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Beard, David Jason 2009. Blurring the boundaries. Geschlechterbeziehungen und Körperbilder in Harrison Birtwistle's The Corridor und Semper Dowland, semper dolens. In: Berman, Laura ed. Klang zu Gang Gedanken zur Musik in heutigen Theaterformen, Recherchen 73, Berlin: Theater der Zeit, pp. 37-48. |
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Beard, David Jason 2009. Carmen Arcadiae Mechanicae Perpetuum, Silbury Air and Verses for Ensembles (Prom 27). BBC Proms, London: BBC, pp. 6-11. |
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Beard, David Jason 2009. From "Heroische Bogenstriche" to "Waldeinsamkeit": Gender and genre in Judith Weir's 'Heroic Strokes of the Bow'. Dichotonies. Gender and Music., American Studies - A Monograph Series, Heidelberg: Univesitatsverlag, Winter, pp. 77-96. |
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Beard, David Jason 2009. Birtwistle at 75: a continuing radical. BBC Proms Festival: Prom 27, London: BBC, pp. 3-5. |
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Beard, David Jason 2009. Taverner: An interpretation. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 79-105. |
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Bickerton, Daniel
2009.
Epiphany.
|
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Bickerton, Daniel
2009.
Lunarscape.
|
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Bickerton, Daniel
2009.
Nocturne.
|
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Boleslawska-Lewandowska, Beata 2009. Symphony and symphonic thinking in Polish music after 1956. PhD Thesis, Cardiff University. |
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Cenciarelli, Carlo 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90 (2) , pp. 320-322. 10.1093/ml/gcn123 |
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Chapin, Keith 2009. Alexandre Pierre François Boëly (1785-1858), ses contemporains et le style sévère, conservatoire à rayonnement régional de Paris, 4-5 décembre 2008 [Conference report]. Eighteenth-Century Music 6 (2) , pp. 306-309. 10.1017/S1478570609990340 |
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Chapin, Keith 2009. Sublime experience and ironic action: E. T. A. Hoffmann and the use of music for life. In: Chapin, Keith and Kramer, Lawrence eds. Musical Meaning and Human Values, New York: Fordham University Press, pp. 32-58. |
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Faria Gomes, Pedro
2009.
Espera.
[Score].
|
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Faria Gomes, Pedro
2009.
Sleeping.
[Score].
|
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Faria Gomes, Pedro
2009.
Three Pieces for Wind Quintet.
[Score].
|
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Fokkens, Robert
2009.
"Glimpses of a half-forgotten future" for clarinet quartet.
[Score (hard copy, PDF and Sibelius files) and performance].
|
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Gloag, Kenneth 2009. Questions of form and genre in Peter Maxwell Davies's First Symphony. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 129-150. |
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Hamer, Laura Ann 2009. Musiciennes : Women musicians in France during the interwar years, 1919-1939. PhD Thesis, Cardiff University. |
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Hamilton, Kenneth 2009. Beethoven's 'Tempest' sonata in performance. In: Bergé, Pieter, D'Hoe, Jeroen and Caplin, William E. eds. Beethoven's 'Tempest' Sonata: Perspectives of Analysis and Performance, Analysis in Context. Leuven Studies in Musicology, vol. 2. Leuven: Peeters, pp. 127-163. |
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Hamilton, Kenneth 2009. Wagner and Liszt: Elective affinities. In: Grey, Thomas S. ed. Richard Wagner and His World, Princeton, NJ: Princeton University Press, pp. 27-64. |
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Hill, Sarah 2009. Book Review. Olivier Julien, ed., Sgt Pepper and the Beatles: It was forty years ago today. Ethnomusicology 53 (2) , pp. 329-331. 10.2307/25653072 |
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Hill, Sarah 2009. Hippies Inc.: San Francisco and the commodification of the 60s. Presented at: Popular Music Worlds, Popular Music Histories: 15th Biennial IASPM Conference, Liverpool, UK, 13-17 July 2009. |
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Hill, Sarah 2009. Hippies, Inc.: San Francisco and the commodification of the 60s. Presented at: 15th Biennial IASPM Conference: Popular Music Worlds, Popular Music Histories, Liverpool, UK, 13-17 July 2009. |
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Hill, Sarah 2009. Book Review. David W. Bernstein, ed., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Popular Music 28/3 , pp. 433-434. 10.1017/S026114300999016X |
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Jones, David Wyn 2009. The life of Haydn. Musical Lives, Cambridge: Cambridge University Press. |
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Jones, Nicholas 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, Kenneth and Jones, Nicholas eds. Peter Maxwell Davies Studies, Cambridge Composer Studies, Cambridge: Cambridge University Press, pp. 231-241. |
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Jones, Nicholas 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150 (1906) , pp. 100-103. |
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Jones, Nicholas 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. Peter Maxwell Davies Studies, Cambridge: Cambridge University Press, pp. 21-44. |
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Jones, Nicholas 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90 (3) , pp. 514-516. 10.1093/ml/gcp016 |
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Lane, Liz. 2009. Commentary on a portfolio of original compositions. PhD Thesis, Cardiff University. |
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Leech, Peter 2009. Recusant song? Early Music 37 (3) , pp. 485-487. 10.1093/em/cap049 |
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Leech, Peter 2009. Handel's legacy [Book Reviews]. Early Music 37 (4) , pp. 657-660. 10.1093/em/cap089 |
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O'Connell, John Morgan 2009. Ayin. In: Fleet, Kate, Krämer, Gudrun, Matringe, Denis, Nawas, John and Rowson, Everett eds. Encyclopaedia of Islam, Three, Brill, pp. 86-87. (10.1163/1573-3912_ei3_COM_23036) |
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Ponsford, David Stewart 2009. A Question of Genre: Charpentier's Messe pour plusieurs Instruments au lieu des orgues (H513). In: Thompson, Shirley ed. New Perspectives on Marc-Antoine Charpentier, Ashgate, pp. 105-131. |
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Rae, Caroline 2009. Piano music of Africa and the African Diaspora. Ethnomusicology 53 (1) , pp. 146-151. |
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Rowden, Clair Sophie 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083 |
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Rowden, Clair Sophie 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289. |
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Sierra, Arlene Elizabeth
2009.
Game of attrition for chamber orchestra.
[Score].
|
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Villepastour, Amanda 2009. Fiddling in West Africa: Touching the spirit in Fulbe, Hausa, and Dagbamba cultures [Book Review]. Notes 66 (2) , pp. 284-286. |
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Villepastour, Amanda 2009. Two heads of the same drum? Musical narratives within a transatlantic religion. Journal of Transatlantic Studies 7 (3) , pp. 343-362. 10.1080/14794010903069185 |
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Leech, Peter, ed. 2008. The Selosse Manuscript - Seventeenth Century Jesuit keyboard music. Launton: Edition HH. |
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Beard, David Jason 2008. Beauty and the beast: a conversation with Sir Harrison Birtwistle. The Musical Times 149 (1902) , pp. 9-25. |
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Beard, David Jason 2008. Opera by number [Programme Essay]. Punch & Judy, London: Royal Opera House, pp. 3-6. |
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Beard, David Jason 2008. An opera of sinister charms and lyrical conceits: Richard Rodney Bennett's "The Mines of Sulphhur" [Programme Essay]. Wexford Opera Festival, Wexdord Opera, pp. 50-54. |
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Beard, David Jason 2008. Birtwistle's 'Labyrinth' [a preview of the Minotaur]? Opera 59 (4) , pp. 372-381. |
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Beard, David Jason 2008. A Handbook to Twentieth-Century Musical Sketches, eds Patricia Hall and Friedemann Sallis [Book Review]. twentieth-century music 5 (2) , pp. 243-251. 10.1017/S1478572209990077 |
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Beard, David Jason and Spiric Beard, Danijela 2008. The liminality of song: illusion and reality in the films of Emir Kusturica. Texte und Töne: Zeitschrift zum Kopfschütteln 1 (1) , pp. 50-57. |
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Bickerton, Daniel
2008.
The Court Jester.
|
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Bickerton, Daniel
2008.
A Suite of Eastern Expression.
|
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Chapin, Keith 2008. Scheibe’s mistake: sublime simplicity and the criteria of classicism. Eighteenth-Century Music 5 (2) , pp. 165-177. 10.1017/S1478570608001474 |
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Cowgill, Rachel and Dideriksen, Gabriella 2008. Opera Orchestras in Georgian and Early Victorian London. In: Jensen, Niels Martin and Piperno, Franco eds. The Opera Orchestra in 18th- and 19th Century Europe: Vol. I: The Orchestra in Society, Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation, Berlin: Berliner Wissenschafts-Verlag, pp. 259-321. |
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Faria Gomes, Pedro
2008.
Drive.
[Score].
|
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Faria Gomes, Pedro
2008.
Epigrama.
[Score].
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Faria Gomes, Pedro
2008.
Thanatos.
[Score].
|
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Faria Gomes, Pedro and Costa, Luiz
2008.
Poema.
[Score].
|
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Fokkens, Robert
2008.
"Tracing Lines" for violin and cello.
[Score and performance].
|
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Fokkens, Robert
2008.
Cycling to Langa (for alto/bass quarter-tone flutes and electronics).
[Score and performance].
|
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Gardner, Cameron 2008. Distancing the heroic: Schubert's Piano Sonata in D major (D. 850). In: Reul, Barbara M. and Bodley, Lorraine Bryne eds. The Unknown Schubert, Ashgate, pp. 177-99. |
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Gardner, Cameron 2008. Schubert in the European imagination: Fin-de-siècle Vienna, vol. 2 by Scott Messing [Book Review]. Eighteenth-Century Music 5 (2) , pp. 247-250. 10.1017/S1478570608001528 |
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Gloag, Kenneth 2008. Nicholas Maw: Odyssey. Landmarks in Music since 1950, Aldershot: Ashgate. |
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Green, Julian Jay 2008. Frames of reference: three late-modernist case studies in music composed after painting. PhD Thesis, Cardiff University. |
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Hamilton, Kenneth 2008. After the Golden Age: Romantic Pianism and Modern Performance. Oxford: Oxford University Press. 10.1093/acprof:oso/9780195178265.001.0001 |
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Hamilton, Kenneth 2008. Mendelssohn and the piano. In: Reichwald, Siegwart ed. Mendelssohn in Performance, Bloomington, IN: Indiana University Press, pp. 19-40. |
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Hill, Sarah 2008. Cerddoriaeth Boblogaidd yng Nghymru ers 1945. Gwyddoniadur Cymru yr Academi Gymreig, University of Wales Press, |
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Hill, Sarah 2008. The sound of San Francisco? The Grateful Dead, urban hippies and the memory of the 60s. Presented at: 29th Annual Southwest Texas Popular Culture and American Culture Association, Albuquerque, NM, 13-16 February 2008. |
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Hill, Sarah 2008. Popular music in Wales since 1945. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press, |
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Hill, Sarah 2008. Record companies in Wales. In: Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I. eds. The Welsh Academy Encyclopaedia of Wales, Cardiff: University of Wales Press, |
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Jones, Nicholas 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. [Teaching Resource] |
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Jones, Nicholas 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. [Teaching Resource] |
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O'Connell, John Morgan 2008. War of the Waves: Cypriot Broadcasting in Great Britain. In: Hemetek, Ursula and Sağlam, Hande eds. Music from Turkey in the Diaspora, Klanglese, vol. 5. Vienna: Institut für Volksmusikforschung und Ethnomusikologie, pp. 119-130. |
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Rae, Caroline 2008. In Havana and Paris: The musical activities of Alejo Carpentier. Music and Letters 89 (3) , pp. 373-395. 10.1093/ml/gcn033 |
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Rae, Caroline 2008. The Works of Messiaen's Final Years. In: Sherlaw Johnson, Robert and Rae, Caroline eds. Messiaen, London: Omnibus Press, pp. 196-208. |
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Rowden, Clair Sophie 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30 (1) , pp. 141-143. 10.1080/08145857.2008.10416750 |
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Rowden, Clair Sophie 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94 (1) , pp. 139-180. |
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Rowden, Clair Sophie 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30 (1) , pp. 135-140. 10.1080/08145857.2008.10416749 |
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Rowden, Clair Sophie 2008. Massenet and the 'Manon' score [Programme note]. Manon, London: Royal Opera House presents The Royal Ballet, pp. 19-24. |
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Sierra, Arlene Elizabeth
2008.
Colmena.
[Score].
|
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Sierra, Arlene Elizabeth
2008.
Hearing things.
[Score].
|
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Biber, Heinrich Ignaz Franz Ponsford, David Stewart, ed. 2007. Mystery (rosary) sonatas for violin and continuo. Ut Orpheus, Bologna. |
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Bickerton, Daniel
2007.
Apokaluptein.
|
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Bickerton, Daniel
2007.
For a Moment.
|
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Bickerton, Daniel
2007.
Medusa, Vallejo.
|
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Bickerton, Daniel
2007.
On The Edge.
|
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Bickerton, Daniel
2007.
An Oracle of Earthly and Divine Authority.
|
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Bickerton, Daniel
2007.
Phoenix.
|
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Bickerton, Daniel
2007.
Prayer.
|
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Bickerton, Daniel
2007.
States of Mind.
|
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Carew, Derek 2007. The companion to the mechanical muse: the piano, pianism and piano music, c.1760–1850. Aldershot: Ashgate. |
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Carew, Derek 2007. The mechanical muse: the piano, pianism and piano music c. 1760-1850. Aldershot: Ashgate. |
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Faria Gomes, Pedro
2007.
Como se Faz Cor-de-Laranja.
[Score].
|
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Faria Gomes, Pedro
2007.
Dark Chamber.
[Score].
|
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Faria Gomes, Pedro
2007.
Díptico.
[Score].
|
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Faria Gomes, Pedro
2007.
Elegia.
[Score].
|
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Faria Gomes, Pedro
2007.
Escape.
[Score].
|
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Hill, Sarah 2007. 'Blerwytirhwng?' The place of Welsh pop music. Ashgate Popular and Folk Music Series, Abingdon: Ashgate. |
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Hill, Sarah 2007. Beyond Borders: The female Welsh pop voice. Radical Musicology 1 |
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Hill, Sarah 2007. 'Blerwytirhwng?' the place of Welsh pop music. Ashgate Popular and Folk Music Series, Aldershot: Ashgate. |
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Hill, Sarah 2007. A taste of summer. [Radio]. 9 October 2007. |
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Hill, Sarah 2007. Book Review. Monte Dutton, true to the roots: American music revealed. Music and Letters 88 (4) , pp. 708-709. 10.1093/ml/gcm039 |
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Jones, Nicholas 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. [Teaching Resource] |
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Jones, Nicholas 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148 (1901) , pp. 111-114. 10.2307/25434506 |
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Jones, Nicholas 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148 (1899) , pp. 81-88. 10.2307/25434460 |
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Leech, Peter 2007. Music for an Academic Defense (Rome, 1617) [Music Review]. Archivum Historicum Societatis Iesu 76 (151) , pp. 174-177. |
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Leech, Peter 2007. Devotional music from Stuart England. Early Music 35 (4) , pp. 644-647. 10.1093/em/cam065 |
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O'Connell, John M. 2007. International symposium in European ethnomusicology. Bulletin of the International Council for Traditional Music 111 (Octobe) , pp. 50-52. |
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O'Connell, John Morgan 2007. Falak: the voice of destiny: traditional, popular and symphonic music of Tajikistan. Compiled by Federico Spinetti [Musical Recording Review]. Ethnomusicology Forum 16 (1) , pp. 179-181. 10.1080/17411910701273101 |
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Ponsford, David Stewart 2007. Spirit of the age. Choir & Organ , pp. 29-31. |
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Ponsford, David Stewart 2007. Touching the past. International Piano , pp. 20-23. |
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Ponsford, David Stewart 2007. The Power of Music. [CD]. |
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Rae, Caroline 2007. Alejo Carpentier: music and magic realism. Presented at: Centre for Interdisciplinary Music Research (CIMR), Roehampton University, London, 13 October 2007. |
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Rae, Caroline 2007. Erinnerungen, Träume, Gedanken: Lieder des Zwanzigsten Jahrhunderts. Programmbuch zum Europäischen Musikfest Stuttgart , pp. 232-239. |
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Rae, Caroline 2007. The musical collaborations of Alejo Carpentier: Afrocubanism and the quest for spiritual renewal. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America 84 (7) , pp. 905-929. 10.1080/14753820701560519 |
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Rowden, Clair Sophie 2007. Massenet and 'Thaïs': the religious context [programme note]. Thaïs, London: Royal Opera House, pp. 29-33. |
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Rowden, Clair Sophie 2007. Werther, La Navarraise and Verismo: A Matter of Taste. Franco - British Studies: journal of the British Institute in Paris 37 , 3 -34. |
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Rowden, Clair Sophie 2007. Cinderella takes a Roman holiday [programme note]. La Cenerentola, London: Royal Opera House, pp. 9-12. |
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Sierra, Arlene Elizabeth
2007.
Birds and insects. Book 1.
[Score].
|
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Sierra, Arlene Elizabeth
2007.
Streets and rivers.
[Score].
|
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Thomas, Adrian Tregerthen 2007. One last meeting: Lutoslawski, Szymanowski and the fantasia. In: Skowron, Z. ed. Karol Szymanowski w perspektywie kultury muzycznej przeszlosci i terazniejszosci. Studia pod redakcja Zbigniewa Skowrona., Musica Iagellonica, 295 - 311. |
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Tyrrell, John 2007. Janάček: Years of a life. Volume 2, (1914-1928) Tsar of the forests. London: Faber and Faber. |
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Walsh, Stephen 2007. The composer, the antiquarian and the go-between: Stravinsky and the Rosenthals. Musical Times 148 (1898) , pp. 19-34. |
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Beard, David Jason 2006. Brimful of Asia: Negotiating Ethnicity on the UK Music Scene [Book Review]. Music & Letters 87 (3) , pp. 482-485. 10.1093/ml/gci223 |
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Beard, David Jason 2006. Aspects of British Music in the 1990s. Ed. by Peter O’Hagan. pp. xviii + 164. (Ashgate, Aldershot, 2003, £45. ISBN 0-7546-3041-2.) [Book Review]. Music & Letters 87 (1) , pp. 163-166. 10.1093/ml/gci161 |
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Beard, David Jason 2006. Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb) [Book Review]. Twentieth-Century Music 3 (1) , pp. 150-154. 10.1017/S1478572207000370 |
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Beard, David Jason 2006. "A face like music": Shaping images into sound in the second Mrs Kong. Cambridge Opera Journal 18 (3) , pp. 273-300. 10.1017/S0954586706002205 |
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Bickerton, Daniel
2006.
Etifeddiaeth.
|
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Bickerton, Daniel
2006.
Fanfare for Gwent.
|
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Bickerton, Daniel
2006.
Ocean Sketch.
|
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Cenciarelli, Carlo 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006 (1) , 84 pars. |
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Chapin, Keith 2006. Classicist terms of sublimity: Christian Friedrich Michaelis, fugue, and fantasy. Ad Parnassum 4 (8) , pp. 115-139. |
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Chapin, Keith 2006. Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint. In: Hoeckner, B. ed. Apparitions: New Perspectives on Adorno and Twentieth-Century Music, Studies in Contemporary Music and Culture, London: Routledge, pp. 19-40. |
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Chapin, Keith 2006. Lost in quotation: the nuances behind E. T. A. Hoffmann's programmatic statements. 19th-Century Music 30 (1) , pp. 44-64. 10.1525/ncm.2006.30.1.044 |
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Chapin, Keith 2006. Strict and free reversed: the law of counterpoint in Koch's Musikalisches Lexikon and Mozart's Zauberflöte. Eighteenth-Century Music 3 (1) , pp. 91-107. 10.1017/S1478570606000509 |
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Faria Gomes, Pedro
2006.
À Memória de Anarda.
[Score].
|
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Faria Gomes, Pedro
2006.
O Violino Cigano.
[Score].
|
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Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. Performance and Popular Music History, Place and Time, Ashgate, 28 - 40. |
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Hill, Sarah 2006. When deep soul met the love crowd: Otis Redding at the Monterey Pop Festival, June 16-18, 1967. In: Inglis, Ian ed. Performance and Popular Music: History, Place and Time, Ashgate Popular and Folk Music Series, Abingdon: Ashgate, pp. 28-40. |
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Hill, Sarah 2006. Beyond borders: the female Welsh pop voice. Radical Musicology 1 (17 May) |
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Jones, David Wyn 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, Ingrid ed. Festschrift Otto Biba zum 60. Geburtstag, Tutzing: Hans Schneider, pp. 39-56. |
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Jones, David Wyn 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002), Strumenti della ricerca musicale, vol. 9. Lucca: Lim Editrice, pp. 3-19. |
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Jones, David Wyn 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, Giovanni, Soldati, Stefania and Zomparelli, Elena eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994), Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074. |
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Jones, David Wyn 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press. |
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Leech, Peter 2006. Regal Handel [Book Review]. Early Music 34 (1) , pp. 143-146. |
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Melen, Christopher John 2006. Kalachakra. PhD Thesis, Cardiff University. |
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O'Connell, John Morgan 2006. 'The mermaid of the Meyhane: the legend of a Greek singer in a Turkish tavern'. In: Linda, P. Austern and Inna, Naroditskaya eds. Music of the Sirens, Indiana University Press, pp. 273-293. |
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O'Connell, John Morgan 2006. National symposium: towards a national ethnomusicology. Bulletin of the International Council for Traditional Music 109 , pp. 61-62. |
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Ponsford, David Stewart and Davis, Alan 2006. Handel: Complete Recorder Sonatas. [CD]. 2006. ID number: GMCD 7301. |
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Rae, Caroline 2006. Jolivet on Jolivet: an interview with the composer’s daughter. Musical Times 147 (1894) , pp. 5-22. |
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Rae, Caroline 2006. Alejo Carpentier and the promotion of new music in Machado's Cuba. Presented at: Royal Musical Association Conference, Nottingham University, July 2006. |
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Rowden, Clair Sophie 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380 |
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Rowden, Clair Sophie 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. In: Ramaut, Alban and Branger, Jean-Christophe eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284. |
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Sierra, Arlene Elizabeth
2006.
Art of Lightness.
[Score].
|
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Sierra, Arlene Elizabeth
2006.
Cicada shell.
[Score].
|
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Stowell, Robin 2006. 'The Viotti school of violin playing: style and influence'. In: Massimiliano, Sala ed. Giovanni Battista Viotti: A Composer Between the Two Revolutions, Ut Orpheus Edizioni, pp. 219-49. |
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Tyrrell, John 2006. Janάček: Years of a life. Volume 1, (1854-1914) The lonely blackbird. London: Faber and Faber. |
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Walsh, Stephen 2006. Stravinsky: the second exile: France and America, 1934-1971. New York: Alfred A. Knopf. |
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Hamilton, Kenneth, ed. 2005. The Cambridge Companion to Liszt. Cambridge Companions to Music, Cambridge: Cambridge University Press. 10.1017/CCOL9780521622042 |
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Beard, David Jason 2005. Meta-narratives and multidimensional opera: Harrison Birtwistle's 'The Mask of Orpheus'. In: Markovic, Tatjana and Mikic, Vesna eds. Music and Networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade., Beograd: Fakultet Muzicke Umetnosti, pp. 143-153. |
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Beard, David Jason 2005. Review: Analyzing Popular Music [Book Review]. Music & Letters 86 (2) , pp. 325-328. 10.1093/ml/gci057 |
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Beard, David Jason 2005. The shadow of opera: Dramatic narrative and musical discourse in Gawain. twentieth-century music 2 (2) , pp. 159-195. 10.1017/S1478572206000259 |
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Beard, David Jason and Gloag, Kenneth 2005. Musicology: the key concepts. Routledge Key Guides, London: Routledge. |
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Bickerton, Daniel
2005.
Genesis.
|
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Bickerton, Daniel
2005.
Woodpeckers.
|
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Carew, Derek 2005. Hummel's Op. 81: a paradigm for Brahms's Op.2? Ad Parnassum 3 (6) , pp. 133-156. |
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Faria Gomes, Pedro
2005.
À Memória de Anarda.
[Score].
|
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Faria Gomes, Pedro
2005.
Romanza e Rondo.
[Score].
|
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Faria Gomes, Pedro
2005.
Uma Cantata Portuguesa.
[Score].
|
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Hemsley, J. D. C. 2005. Henry Bryceson (1832-1909) organ-builder and early work in the application of electricity to organ actions. PhD Thesis, Cardiff University. |
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Hill, Sarah and Dai, Griffiths 2005. Postcolonial music in contemporary Wales: hybridities and weird geographies. In: Jane, Aaron and Chris, Williams eds. Postcolonial Wales, Cardiff: University of Wales Press, pp. 215-233. |
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Jones, David Wyn 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn, Cambridge Collections Online, Cambridge: Cambridge University Press, pp. 45-57. (10.1017/CCOL9780521833479.005) |
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Jones, David Wyn 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, Rasch ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography, Berliner Wissenschafts-Verlag, pp. 140-58. |
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Jones, Nicholas 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005. |
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Jones, Nicholas 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146 , pp. 71-81. 10.2307/30044107 |
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O'Connell, John Morgan 2005. 'Sound sense: mediterranean music from a Turkish perspective'. In: Cooper, David and Dawe, Kevin eds. The Mediterranean in Music, Scarecrow Press, pp. 3-25. |
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O'Connell, John Morgan 2005. The 15th ICTM colloquium: identifying conflict in music, resolving conflict through music. Bulletin of the International Council for Traditional Music 106 , pp. 55-57. |
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O'Connell, John Morgan 2005. In the time of Alaturka: Identifying difference in musical discourse. Ethnomusicology 49 (2) , pp. 177-205. |
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O'Connell, John Morgan 2005. The Edvâr of Demetrius Cantemir: recent publications. Ethnomusicology Forum 14 (2) , pp. 235-239. 10.1080/17411910500415887 |
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O'Connell, John Morgan and Smith, Thérèse 2005. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 106 , pp. 65-67. |
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Parsons, John Lewis 2005. Stylistic change in violin performance 1900-1960: with special reference to recordings of the Hungarian violin school. PhD Thesis, Cardiff University. |
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Ponsford, David Stewart 2005. Parthenia. [CD]. |
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Powers, Anthony
2005.
STRING QUARTET No 4 (27 minutes).
[Published score].
|
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Rae, Caroline 2005. Alexandre Tansman and his Symphonies. Chandos. |
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Rae, Caroline 2005. Maurice Ohana: From the Garden of the Hesperides. Warner Classics. |
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Reyland, Nicholas 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. PhD Thesis, Cardiff University. |
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Sierra, Arlene Elizabeth
2005.
A conflict of opposites.
[Score].
|
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Sierra, Arlene Elizabeth
2005.
Neruda settings.
[Score].
|
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Stowell, Robin 2005. 'Performance practice in the eighteenth-century concerto'. In: Simon, P Keefe ed. The Cambridge Companion to the Concerto, Cambridge University Press, pp. 192-226. |
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Thomas, Adrian Tregerthen 2005. Polish music since Szymanowski. Music in the Twentieth Century, Cambridge: Cambridge University Press. |
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Weir, Judith
2005.
Armida (50 minutes).
[Published score].
|
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Beard, David Jason 2004. Refrains and choruses [works by Davies and Birtwistle]. In: Bellingham, Jane ed. Aldeburgh Music Festival 2004, Aldeburgh: Aldeburgh Productions, pp. 48-50. |
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Beard, David Jason 2004. The endless parade: competing narratives in recent Birtwistle studies. Music Analysis 23 (1) , pp. 89-127. 10.1111/j.0262-5245.2004.00196.x |
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Beard, David Jason 2004. Britten's ambiguities; Tippett's times; Metzer's borrowings. Journal of the Royal Musical Association 129 (2) , pp. 305-323. 10.1093/jrma/129.2.305 |
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Bickerton, Daniel
2004.
Foreboding.
|
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Bickerton, Daniel
2004.
Through Their Eyes.
|
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Faria Gomes, Pedro
2004.
Cinco Canções Breves.
[Score].
|
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Hill, Sarah 2004. Ending it all: Genesis and Revelation. Presented at: SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11-16 July 2004. |
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Jones, Nicholas 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004. |
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O'Connell, John Morgan 2004. Sustaining difference: theorizing minority musics in Badakhshan. In: Hemetek, Ursula, Lechleitner, Gerda, Naroditskaya, Inna and Czekanowska, Anna eds. Manifold Identites, Cambridge Scholars Press, pp. 1-19. |
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O'Connell, John Morgan 2004. The tale of Crazy Harman: the musician and the concept of music in the Türkmen epic tale, Harman Däli by Sławomira Żerańska-Kominek [Book Review]. Yearbook for Traditional Music 36 , pp. 171-175. |
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O'Connell, John Morgan 2004. Liaison officer report: Ireland. Bulletin of the International Council for Traditional Music 105 , pp. 24-27. |
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Ponsford, David Stewart 2004. Charpentier's Messe pour plusieurs instruments au lieu des orgues (H513). In: Williams, Peter and Donati, Pier Paolo eds. The Organ Yearbook, Vol. 33. Laabar-Verlag, pp. 63-72. |
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Rae, Caroline 2004. André Jolivet: The Erato recordings. Warner Classics. |
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Rae, Caroline 2004. Irish Music in the Twentieth Century [Book Review]. Music and Letters 85 (4) , pp. 666-669. 10.1093/ml/85.4.666 |
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Rae, Caroline 2004. Lutoslawski Studies [Book Review]. Music and Letters 85 (1) , pp. 127-132. 10.1093/ml/85.1.127 |
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Rae, Caroline 2004. Maurice Ohana and the Debussyian descendency: an exploration of the music for piano. Performed at Lecture-Recital [Elder Conservatorium University of Adelaide, 28 July 2004]. |
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Rae, Caroline 2004. Alejo Carpentier and the magic of music: a Centenary retrospective. Presented at: Alejo Carpentier Centenary Lecture, Taylor Institution, Oxford University, 23 November 2004. |
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Rae, Caroline 2004. Myth and mysticism in Jolivet: musical magic realism? Cahiers rémois de musicologie 2 , pp. 139-171. |
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Rowden, Clair Sophie 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 112-115. 10.1017/S1479409800001415 |
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Rowden, Clair Sophie 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 139-141. 10.1017/S1479409800001506 |
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Rowden, Clair Sophie 2004. Paris – Londres : 'La Navarraise' face à la presse. In: Branger, Jean-Christophe and Ramaut, Alban eds. Le Naturalisme sur la scène lyrique, Musicologie - Cahiers de L'Esplanade, vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128. |
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Rowden, Clair Sophie 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle, vol. 6. Weinsberg: Musik-Edition Lucie Galland. |
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Rowden, Clair Sophie 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. Avant-Scène Opéra: Thomas Adès 'The Tempest', vol. 222. Paris: Avant-Scène Opéra, pp. 80-83. |
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Rowden, Clair Sophie 2004. 'Werther' at home and abroad [programme note]. Werther, London: Royal Opera House, pp. 43-48. |
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Sierra, Arlene Elizabeth
2004.
Two Neruda odes.
[Score].
|
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Tyrrell, John 2004. Janάček and programme music. Ad Parnassum 2 (3) , pp. 61-102. |
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Walsh, Stephen 2004. Mark Carroll, Music and Ideology in Cold War Europe [Book Review]. twentieth-century music 1 (2) , pp. 308-314. 10.1017/S147857220525017X |
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Beard, David Jason 2003. Monuments and Miniatures [works by Kurtág, Birtwistle, and Beethoven]. In: Bellingham, Jane ed. Aldeburgh Music Festival 2003, Aldeburgh: Aldeburgh Productions, pp. 39-41. |
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Beard, David Jason 2003. The shadow of night: UK premiere [Programme Note]. BBC Proms Festival: Prom 72, London: BBC, pp. 5-7. |
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Bickerton, Daniel
2003.
Dreaming.
|
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Faria Gomes, Pedro
2003.
Crónica de Dor e Morte.
[Score].
|
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Faria Gomes, Pedro
2003.
Variações-Fantasia.
[Score].
|
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Faria Gomes, Pedro and Godinho, José Carlos
2003.
À Procura de um Pinheiro.
[Score].
|
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Gloag, Kenneth 2003. 'Russian Rites: Petrushka, Rite of Spring, Les Noces'. In: Jonathan, Cross ed. The Cambridge Companion to Stravinsky, Cambridge University Press, pp. 79-97. |
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Gloag, Kenneth 2003. 'Gottfried von Einem and the Contexts of Modernism'. Presented at: Proceedings of Gottfried von Einem Congress Vienna 1998, |
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Hill, Sarah 2003. Book Review. Stan Hawkins, settling the pop score. Popular Music 22 (2) , pp. 251-253. 10.1017/S026114300323316X |
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Hill, Sarah 2003. From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. Presented at: Practising Popular Music: 12th Biennial IASPM Conference, Montreal, QC, Canada, 3-7 July 2003. |
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Hill, Sarah 2003. 'All directions were forward from there': The Grateful Dead, San Francisco, and the memory of the 60s. Presented at: 39th Annual RMA Conference: Music Historiography, Cardiff, UK, 12-14 September 2003. |
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Jones, David Wyn 2003. Beethoven and the Viennese Legacy. In: Stowell, Robin ed. The Cambridge Companion to the String Quartet, Cambridge Companions to Music, Cambridge: Cambridge University Press, pp. 210-237. (10.1017/CCOL9780521801942.011) |
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Jones, David Wyn 2003. The origins of the quartet. In: Stowell, Robin ed. The Cambridge Companion to the String Quartet, Cambridge Companions to Music, Cambridge: Cambridge University Press, pp. 177-184. (10.1017/CCOL9780521801942.009) |
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Jones, Nicholas 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144 (1884) , pp. 26-35. 10.2307/3650698 |
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Leech, Peter 2003. Catholic musicians in Restoration London. Genealogists Magazine 27 (9) , pp. 391-397. |
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Manning, David
2003.
Harmony, tonality and structure in Vaughan Williams's music.
PhD Thesis,
Cardiff University.
Item availability restricted. |
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O'Connell, John Morgan 2003. Song cycle: the life and death of the Turkish gazel: a review essay [Musical Recordings Review]. Ethnomusicology 47 (3) , pp. 399-414. 10.2307/3113948 |
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O'Connell, John Morgan 2003. A resounding issue: Greek recordings of Turkish music, 1923-1938. Middle East Studies Association Bulletin 37 (2) , pp. 200-216. |
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Ponsford, David Stewart 2003. Preface. In: Mawby, Colin ed. J. S. Bach: 48 Preludes & Fugues, Kevin Mayhew, pp. 5-8. |
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Ponsford, David Stewart 2003. Towards a reappraisal of Francois Couperin's organ masses. Journal of the British Institute of Organ Studies , pp. 40-57. |
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Ponsford, David Stewart 2003. J.S.Bach: Clavierübung III and Sei gegrüsset. [CD]. |
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Powers, Anthony
2003.
AIR AND ANGELS for soprano, baritone, mixed chorus and orchestra (35 minutes).
[Published score].
|
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Powers, Anthony
2003.
FROM STATION ISLAND for speaker, baritone and ensemble (26 minutes).
[Published score].
|
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Ross, Jacqueline, Ponsford, David Stewart and Boothby, Richard 2003. Johann Sebastian Bach Violin Sonatas Vol. 3. [CD]. 2003. ID number: GAU 345. |
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Rowden, Clair Sophie 2003. Cendrillon [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Chérubin [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Grisélidis [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Hérodiade [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. La Navarraise [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Le Jongleur de Notre-Dame [Dictionary article]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 [Book Review]. Music and Letters 84 (2) , pp. 300-302. 10.1093/ml/84.2.300 |
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Rowden, Clair Sophie 2003. Thais [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard, |
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Rowden, Clair Sophie 2003. Explosive Opera: 'La Navarraise' face à la critique londonienne [Programme note]. Avant-Scène Opéra: Massenet 'Sapho', 'La Navarraise', Paris: Avant-Scène Opéra, pp. 80-81. |
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Sierra, Arlene Elizabeth
2003.
Trombone concerto: dedication and dance.
[Score].
|
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Stowell, Robin 2003. 'Extending the technical and expressive frontiers'. In: Stowell, Robin ed. The Cambridge Companion to the String Quartet, Cambridge University Press, 149 - 74. |
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Thomas, Adrian Tregerthen 2003. In the public eye: Panufnik and his music, 1948-54. In: Paja-Stach, Jadwiga ed. Andrzej Panufnik's Music and its Reception, Musica Iagellonica, pp. 205-220. |
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Tyrrell, John 2003. 'How Janάček composed operas'. In: Michael, Beckerman ed. Janáček and his world, Yale University Press, pp. 55-78. |
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Weir, Judith
2003.
The Welcome Arrival of Rain (16 minutes).
[Published score].
|
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Weir, Judith
2003.
Tiger Under the Table (15 minutes).
[Published score].
|
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Weir, Judith
2003.
The Voice of Desire (12 minutes).
[Published score].
|
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Faria Gomes, Pedro
2002.
Duas Fantasias.
[Score].
|
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Faria Gomes, Pedro
2002.
Nobre Povo.
[Score].
|
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Faria Gomes, Pedro and Sousa, Paulo
2002.
Rapsódia.
[Score].
|
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Hill, Sarah and Griffiths, Dai 2002. What did 'Welsh' mean for Welsh pop in the 1990s? Presented at: Postcolonial Wales, Treforest, Wales, UK, 13 July 2002. |
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Jones, David Wyn 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8 (4) , 413 - 17. |
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Jones, Nicholas 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143 (1878) , pp. 37-45. 10.2307/1004421 |
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Jones, Nicholas 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83 (1) , pp. 147-151. 10.1093/ml/83.1.147 |
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Jones, Nicholas 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143 (1879) , pp. 78-79. 10.2307/1004607 |
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O'Connell, John Morgan 2002. From Empire to Republic: vocal style in twentieth century Turkey. In: Danielson, Virginia, Marcus, Scott and Reynolds, Dwight eds. The Garland Encyclopedia of World Music: The Middle East, Vol. 6. Routledge, pp. 781-787. |
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O'Connell, John Morgan 2002. Snapshot: Tanburî Cemil Bey. In: Danielson, Virginia, Marcus, Scott and Reynolds, Dwight eds. The Garland Encyclopedia of World Music: The Middle East, Routledge, pp. 757-758. |
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Ross, Jacqueline and Ponsford, David Stewart 2002. Johann Sebastian Bach Violin Sonatas. [CD]. 2002. ID number: GAU 308. |
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Rowden, Clair Sophie 2002. 'Hérodiade': Church, State and the Feminist Movement. Presented at: Tenth International Conference on Nineteenth-Century Music, Bristol, UK, July 1998. Published in: Samson, Jim and Zon, Bennett eds. Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. London: Ashgate, pp. 250-278. |
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Sierra, Arlene Elizabeth
2002.
Hand mit Ringen.
[Score].
|
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Sierra, Arlene Elizabeth
2002.
Tiffany windows.
[Score].
|
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Sierra, Arlene Elizabeth
2002.
Truel 1.
[Score].
|
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Stowell, Robin 2002. Strings. In: Burton, Anthony ed. A Performer’s Guide to Music of the Romantic Period, Performer's Guides, London: Associated Board of the Royal Schools of Music (ABRSM), pp. 45-55. |
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Thomas, Adrian Tregerthen 2002. 'File 750: Composers, Politics and the Festival of Polish Music (1951)'. Polish Music Journal 5 (1) |
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Beard, David Jason 2001. Sonance 2000 [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, p. 17. |
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Beard, David Jason 2001. Tenebrae David: UK premiere [Programme Note]. BBC Proms Festival: Prom 64, London: BBC, pp. 5-6. |
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Beard, David Jason 2001. 'From the mechanical to the magical': A pre-compositional plan for Birtwistle's 'Carmen Arcadiae Mechanicae Perpetuum'. Mitteilungen der Paul Sacher Stiftung 14 , pp. 29-33. |
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Carew, Derek 2001. The consumption of music. In: Jim, Samson ed. The Cambridge History of Nineteenth-Century Music, Cambridge: Cambridge University Press, pp. 237-258. (10.1017/CHOL9780521590174.010) |
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Faria Gomes, Pedro
2001.
Quatro Peças.
[Score].
|
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Faria Gomes, Pedro
2001.
Sinfonietta.
[Score].
|
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Gloag, Kenneth 2001. Situating the 1960s: popular music - postmodernism - history. Rethinking History 5 (3) , pp. 397-410. 10.1080/1364250110078514 |
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Hill, Sarah 2001. Britpop: Syllu ar Fogail Lloegr. Tu Chwith , pp. 37-44. |
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Hill, Sarah 2001. Welsh popular music in the 1960s: The roots of an identity. Presented at: Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: 11th Biennial IASPM Conference, Turku, Finland, 6-10 July 2001. |
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Jones, David Wyn 2001. "ma in Ispagna..." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49 (1/2) , pp. 40-50. |
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Leech, Peter 2001. Records of the Chapel Royal [Book Review]. Early Music 29 (3) , pp. 456-457. |
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Leech, Peter 2001. Musicians in the Catholic chapel of Catherine of Braganza, 1662-92. Early Music 29 (4) , pp. 570-587. 10.1093/earlyj/XXIX.4.570 |
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O'Connell, John Morgan 2001. Major minorities: towards an ethnomusicology of Irish minority musics. In: Pettan, Svanibor, Reyes, Adelaida and Komavec, Maša eds. Music and Minorities, ZRC Publishing, pp. 165-182. |
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O'Connell, John Morgan 2001. Münir Nurettin Selçuk. In: Sadie, Stanley and Tyrrell, John eds. The New Grove Dictionary of Music and Musicians, Oxford University Press, pp. 55-56. |
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O'Connell, John Morgan 2001. Fine art, fine music: Controlling Turkish taste at the Fine Arts Academy in 1926. Yearbook for Traditional Music 32 , pp. 117-142. 10.2307/3185245 |
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Powers, Anthony
2001.
SYMPHONY No 2 for orchestra (28 minutes).
[Published score].
|
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Rae, Caroline 2001. Boutry, Roger. The New Grove Dictionary of Music and Musician 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.03741) |
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Rae, Caroline 2001. Constant, Marius. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.06329) |
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Rae, Caroline 2001. Delaistier, Maurice. Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.44410) |
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Rae, Caroline 2001. Ohana, Maurice. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.20292) |
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Rae, Caroline 2001. Tansman, Alexandre. The New Grove Dictionary of Music and Musicians 2nd Edition, Grove Music Online, Oxford University Press, (10.1093/gmo/9781561592630.article.27479) |
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Rae, Caroline 2001. Maurice Ohana's 'Livre des Prodiges', 'Anneau du Tamarit' and 'Synaxis'. Tempo (216) , pp. 55-58. |
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Sierra, Arlene Elizabeth
2001.
Alike dissolving.
[Score].
|
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Sierra, Arlene Elizabeth
2001.
Aquae.
[Score].
|
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Sierra, Arlene Elizabeth
2001.
Aquilo.
[Score].
|
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Sierra, Arlene Elizabeth
2001.
Four choreographic studies.
[Score].
|
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Stowell, Robin 2001. The early violin and viola: a practical guide. Cambridge Handbooks to the Historical Performance of Music, Cambridge: Cambridge University Press. 10.1017/CBO9780511481833 |
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Walsh, Stephen 2001. The New Grove Stravinsky. The New Grove Composer Biography Series, Oxford: Oxford University Press. 10.1093/gmo/9781561592630.article.52818 |
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Walsh, Stephen 2001. Kurtag's Russian settings: The word made flesh. Contemporary Music Review 20 (2-3) , pp. 71-88. 10.1080/07494460100640181 |
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Rowden, Clair Sophie, ed. 2000. Jules Massenet, Thaïs: dossier de presse parisienne (1894). Critiques de l'opéra français du XIXe siècle, Heilbronn: Musik-Edition Lucie Galland. |
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Jones, David Wyn, ed. 2000. Music in Eighteenth-Century Britain. Aldershot: Ashgate. |
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Faria Gomes, Pedro
2000.
Campainhada.
[Score].
|
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Faria Gomes, Pedro
2000.
Fantasy on a Theme by Copland.
[Score].
|
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Faria Gomes, Pedro
2000.
Séptuor.
[Score].
|
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Hill, Sarah 2000. Families of resemblance: Welsh popular music and other marginalia. Welsh Music History 4 , pp. 138-147. |
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Hill, Sarah 2000. Conference Review. Identities in Action: Gregynog, 10-12 December 1999. Popular Music 19 (3) , pp. 394-395. |
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Hill, Sarah 2000. Welsh popular music in the Anglo-American market. Presented at: Popular Music and National Culture: IASPM Slovenia Conference, Ljubljana, Slovenia, 22-25 November 2000. |
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Jones, Nicholas 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000. |
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Jones, Nicholas 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141 (1872) , pp. 24-32. 10.2307/1004395 |
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Ponsford, David Stewart 2000. J. S. Bach and the nature of French influence. In: Williams, Peter and Heinemann, Michael eds. The Organ Yearbook, Vol. 29. Laaber-Verlag, pp. 59-74. |
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Ponsford, David Stewart 2000. Buxtehude defined. Choir & Organ 2000 (03/04) |
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Rae, Caroline 2000. The Music of Maurice Ohana. Aldershot: Ashgate. |
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Rae, Caroline 2000. Henri Dutilleux and Maurice Ohana: victims of an exclusion zone? Tempo 212 (212) , pp. 22-30. 10.1017/s0040298200007580 |
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Rae, Caroline 2000. Maurice Ohana’s 'Office des Oracles' and 'Messe' [Music Review]. Tempo (212) , pp. 55-57. 10.1017/S0040298200007683 |
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Rae, Caroline 2000. Ohana’s 'In Dark and Blue', 'Sorgin-Ngo' and other music for strings. Notes 57 (2) , pp. 464-468. |
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Sierra, Arlene Elizabeth
2000.
Alleluya (Bitter-Sweet).
[Score].
|
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Sierra, Arlene Elizabeth
2000.
Ballistae.
[Score].
|
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Sierra, Arlene Elizabeth
2000.
Mantegna diptych: for orchestra.
[Score].
|
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Faria Gomes, Pedro
1999.
Psalmus 3.
[Score].
|
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Faria Gomes, Pedro
1999.
Romanza e Rondo.
[Score].
|
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Faria Gomes, Pedro
1999.
Viva o Entrudo!
[Score].
|
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Hill, Sarah 1999. O'r Barrio i'r Byd: Marchnata'r Iaith Ryngwladol yn Ninas yr Engylion. Tu Chwith Gwanwy , pp. 100-105. |
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Hill, Sarah 1999. Families of resemblance: Welsh popular music and other marginalia. Presented at: University of Wales Centre for Advanced Welsh Musical Studies Conference, Bangor, UK, 29 July -1 August 1999. |
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Lawson, Colin and Stowell, Robin 1999. The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music, Cambridge: Cambridge University Press. 10.1017/CBO9780511481710 |
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Ponsford, David Stewart 1999. Genre and Notes inegales in the Livres d'orgue of Francois Couperin and Nicolas de Grigny. PhD Thesis, Cardiff University. |
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Ponsford, David Stewart 1999. Inegalite and recits: genre studies in seventeenth-century French organ music. In: Williams, Peter ed. The Organ yearbook, Vol. 28. Laaber, pp. 61-77. |
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Rae, Caroline 1999. Magic and music - Alejo Carpentier and Maurice Ohana: cross-connections in Twentieth Century French music and the South Americas. In: Barbiche, Jean-Paul ed. Des Amériques: impressions et expressions, Paris: L'Harmattan, |
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Sierra, Arlene Elizabeth
1999.
Harrow-lines.
[Score].
|
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Jones, David Wyn 1998. Austrian Symphonies in the Royal Palace, Madrid. In: Boyd, Malcolm and Carreras, Juan-Jose eds. Music in Spain during the Eighteenth Century, Cambridge: Cambridge University Press, pp. 125-143. (10.2277/ 0521481392) |
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Jones, David Wyn 1998. The life of Beethoven. Musical Lives, Cambridge: Cambridge University Press. |
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Jones, Nicholas 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204 , pp. 14-22. |
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O'Connell, John Morgan 1998. The Arab in Arabesk: style and stereotype in Turkish vocal performance. In: Wharton, Barrie and Adawy, Nabil eds. The Limerick Anthology of Arab Affairs, University of Limerick Press, pp. 87-103. |
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Rowden, Clair Sophie 1998. 'Hérodiade': anticlerical, imperial or republican opera? British Postgraduate Musicology 2 , pp. 2-15. |
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Sierra, Arlene Elizabeth
1998.
Two etudes after Mantegna.
[Score].
|
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Stowell, Robin 1998. Beethoven: Violin Concerto. Cambridge Music Handbooks, Cambridge: Cambridge University Press. |
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Faria Gomes, Pedro
1997.
Prelúdio em Mi Bemol.
[Score].
|
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Ponsford, David Stewart 1997. Unwriting the unwritable. Musical Times -London- 1997 , pp. 24-26. |
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Sierra, Arlene Elizabeth
1997.
Of risk and memory.
[Score].
|
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Sierra, Arlene Elizabeth
1997.
Three descriptions.
[Score].
|
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Biba, Otto and Jones, David Wyn, eds. 1996. Studies in Music History: Presented to H.C. Robbins Landon on his Seventieth Birthday. London: Thames & Hudson. |
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Jones, David Wyn, ed. 1996. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press. |
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Hamilton, Kenneth 1996. Liszt: Sonata in B Minor. Cambridge Music Handbooks, Cambridge: Cambridge University Press. 10.1017/CBO9780511620133 |
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Jones, David Wyn 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. In: Biba, Otto and Jones, David Wyn eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday, London: Thames & Hudson, pp. 105-114. |
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Jones, David Wyn 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. In: Jones, David Wyn ed. Music in Eighteenth-Century Austria, Cambridge: Cambridge University Press, pp. 89-111. (10.2277/ 0521453496) |
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Jones, David Wyn 1996. Introduction: new challenges, new perspectives. In: Jones, David Wyn ed. Music in Eighteenth-Century Austria, Cambridge: Cambridge University Press, pp. 1-10. (10.2277/ 0521453496) |
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Walsh, Stephen 1996. Stravinsky's Symphonies: Accident or Design? In: Ayrey, Craig and Everist, Mark eds. Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music, Cambridge: Cambridge University Press, pp. 35-71. (10.2277/ 0521543975) |
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Jones, David Wyn 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks, Cambridge: Cambridge University Press. |
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Rae, Caroline 1995. The piano music of Maurice Ohana. Revista Musica 6 (12) , pp. 44-74. |
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Rae, Caroline 1994. Debussy et Ohana: allusions et références. Cahiers Debussy (17-18) , pp. 103-120. |
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Rae, Caroline 1994. L'improvisation dans l’oeuvre de Maurice Ohana. Presented at: l'improvisation Musicale En Question: Actes du Colloque International, Rouen, France, 16-18 March 1992. Published in: Dambricourt, Jean-Pierre ed. l'improvisation Musicale En Question: Actes du Colloque International Tenu à l'Université de Rouen les 16, 17 et 18 Mars 1992. Rouen: Université, Centre d'étude et de diffusion des langues artistiques, pp. 73-85. |
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Rae, Caroline 1994. La magie musicale de Maurice Ohana. Le Monde de la musique (2) , pp. 16-17. |
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Sierra, Arlene Elizabeth
1994.
Four love songs.
[Score].
|
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Stowell, Robin 1994. The Violin Concerto (Op. 61): text and editions. In: Stowell, Robin ed. Performing Beethoven, Cambridge Studies in Performance Practice, vol. 4. Cambridge: Cambridge University Press, pp. 150-194. |
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Beard, David Jason 1993. A 'seven year index' of The Musical Times, 1984-91. The Musical Times 134 (1804) |
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Jones, David Wyn 1992. A Spanish Source for Haydn’s “Non nobis Domine”. In: Landon, H. C. Robbins ed. Haydn Yearbook, Vol. 17. London: Thames & Hudson, pp. 167-169. |
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Rae, Caroline 1992. La Célestine. In: Sadie, Stanley ed. The New Grove Dictionary of Opera, Vol. 1. Macmillan, p. 795. |
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Rae, Caroline 1992. Le symbolisme et l’archétype du mythe européen dans l’oeuvre de Maurice Ohana. 'Musique et Europe' Cahiers du CIREM (Centre international de recherche aesthétique musicale) (24-5) , pp. 115-130. |
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Rae, Caroline 1992. Ohana, Maurice. In: Morton, Brian and Collins, Pamela eds. Contemporary Composers, St James Press, pp. 703-705. |
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Rae, Caroline 1992. Ohana, Maurice. In: Sadie, Stanley ed. The New Grove Dictionary of Opera, Vol. 3. Macmillan, pp. 659-600. |
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Rae, Caroline 1992. Honegger: a centenary reappraisal. The Musical Times 133 (1789) , pp. 118-121. |
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O'Connell, John Morgan 1991. Die musik der Araber (The music of the Arabs) by Habib Hasan Touma [Book Review]. Asian Music 22 (1) , pp. 154-156. 10.2307/834296 |
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Rae, Caroline 1991. Maurice Ohana: iconoclast or individualist? The Musical Times , pp. 69-74. |
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Jones, David Wyn 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51 , pp. 280-289. |
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O'Connell, John Morgan 1989. Jean During. La musique traditionnelle de I'Azerbayjan et la science des muqâms [Book Review]. Pacific Review of Ethnomusicology 5 , pp. 130-132. |
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Landon, H.C. Robbins and Jones, David Wyn 1988. Haydn: his life and work. London: Thames & Hudson. |
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Rae, Caroline 1988. La Célestine: Maurice Ohana's Oper in Paris. Die neue Zeitschrift für Musik 149 (10) , pp. 35-36. |
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Walsh, Stephen 1988. The music of Stravinsky. London: Routledge. |
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Jones, David Wyn 1984. Haydn's Music in London in the Period 1760-1790. In: Landon, H.C. Robbins ed. Haydn Yearbook, Vol. 14. Cardiff: University College Cardiff Press, pp. 144-172. |
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Walsh, Stephen 1982. Bartók Chamber Music. BBC Music Guides, London: BBC. |
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Walsh, Stephen 1980. Forte in his own Rite. Soundings (9) , pp. 81-89. |
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Jones, David Wyn 1978. Robert Bremner and the periodical overture. Soundings (7) , pp. 63-84. |
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